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19. März 1997 · His paintings of women feature a unique blend of gestural abstraction and figuration. Heavily influenced by the Cubism of Picasso, de Kooning became a master at ambiguously blending figure and ground in his pictures while dismembering, re-assembling, and distorting his figures in the process.
- American
- April 24, 1904
- Rotterdam, The Netherlands
- March 19, 1997
Willem de Kooning war ein niederländischer, seit 1926 US-amerikanischer Maler. Er war einer der bedeutendsten Vertreter des abstrakten Expressionismus und gilt neben Jackson Pollock als Wegbereiter des Action Paintings.
If Jackson Pollock was the public face of the New York avant-garde, Willem de Kooning could be described as an artist’s artist, who was perceived by many of his peers as its leader.
De Kooning’s dramatic rise to prominence between 1948 and 1953 was only the first act in a remarkable artistic career. While many of his contemporaries developed a mature “signature style,” de Kooning’s inquisitive spirit did not allow such constraint.
De Kooning once summarized the history of female representations as “the idol, the Venus, the nude.” In Woman, I, he both alludes to and subverts such conventions, while possibly referencing the long-held societal ambivalence between reverence for and fear of the feminine.
Willem de Kooning (/ d ə ˈ k uː n ɪ ŋ /; Dutch: [ˈʋɪləm də ˈkoːnɪŋ]; April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. Born in Rotterdam , in the Netherlands, he moved to the United States in 1926, becoming a US citizen in 1962. [3]
Between 1950 and 1953, de Kooning made the series for which he is best known, the Women, and this painting from approximately 1952 is a fine example of the subject. The small scale of this painting on paper belies both the potency of the iconic image and the dramatic dynamism of the vigorous, gestural brushwork.
