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Approaches to the Psychology of Personality: Film No. 7: With Carl Gustav Jung, Richard I. Evans. Richard I. Evans from the University of Houston interviews Carl Gustav Jung on the subjects of Einstein, Rorschach, Toynbee, psychosomatic medicine and tranquilizers.
Approaches to the Psychology of Personality: Film No. 7 (1957) cast and crew credits, including actors, actresses, directors, writers and more.
Approaches to the Psychology of Personality, 1957. KUHT Film and Video, 1997-006a. University of Houston Libraries Special Collections. https://findingaids.lib.uh.edu//repositories/2/archival_objects/11452 Accessed May 23, 2024.
All about Movie: directors and actors, reviews and ratings, trailers, stills, backstage. Carl Gustav Jung...Documentary. United States.
- 2.1 The Psychoanalytic Perspective
- 2.2 The Learning Perspective
- 2.3 The Humanistic Perspective
This personality perspective, sometimes described as you are what you were (Wade & Tavris, 1993, p. 387), focuses on the significance of early childhood experiences and unconscious mental processes. The founder of this approach was psychiatrist Sigmund Freud, who developed hypothetical models of the functioning of the mind (psyche). According to th...
From this perspective personality can be regarded as the observable result of reinforcement, summarized as you are what you do (Wade & Tavris, 1993, p. 398), though it seems that the description you are what you learn would be more appropriate. Skinner (1950), like Freud, believed that behaviour is regulated by predictable causes. On the other hand...
This perspective proposes that in order to understand personality, it is not enough to observe individuals (you are what you become, Wade & Tavris, 1993, p. 403). Contrary to the unreasonable and involuntary tendencies of psychoanalytical (a ‘first force’ in psychology) and behavioural theories (a ‘second force’), the humanistic approach (a ‘third ...
- Ewa Piechurska-Kuciel
- 2020
3. Juli 2018 · The agenda that Hugo Munsterberg set for the psychology of the film, explaining the film experience through revealing psychological mechanisms underlying it, and accounting for its...
7. Nov. 2018 · The most basic claim underlying psychoanalytic approaches to film is that the creation and experience of film is driven by desire and wish-fulfilment and functions to satisfy certain psychological, protective, expressive needs of artists and audiences.
