Suchergebnisse
Suchergebnisse:
Alex Potts is Max Loehr Collegiate Professor. His work on art and artistic theory covers a number of areas - sculptural aesthetics and the history of sculpture, experimental practices and the aesthetics of realism in twentieth-century art, art and artistic theory in the nineteenth century, and Enlightenment and post-Enlightenment conceptions of ...
- Staff
Staff - Alexander Potts | U-M LSA History of Art
- Faculty
Faculty - Alexander Potts | U-M LSA History of Art
- Lecturers and Visitors
Lecturers and Visitors - Alexander Potts | U-M LSA History...
- Graduate Students
Graduate Students - Alexander Potts | U-M LSA History of Art
- Helicon Undergraduate Student Group
Helicon is a student organization dedicated to supporting...
- Dissertation Titles
2016 Anna Wieck: Painting, Popular Culture, Putrefaction:...
- Staff
Modern Sculpture Reader, with Jon Wood and David Hulks, Leeds: The Henry Moore Institute, 2007; reissued by the J. Paul Getty Museum, 2012, 511 pp. Co-editor, author of the ‘Introduction: The Idea of Modern Sculpture’ (pp. xiii-xxx) and of four introductions to the selected texts.
19. Dez. 2013 · Alex Potts makes the case that the ambition to create work that engaged with the everyday and political realities of the world motivated much of the period’s vital experimentation with medium and artistic process.
GRAVITATIONAL COLLAPSE — Alex Potts. Self-published collection of short comics. 2022. Is this some exciting new work from Alex Potts, the creator of A Quiet Disaster and It's Cold in the River at Night? NO! It's exciting OLD work that you've probably never seen before.
Alex Potts’s ambitious new book, Experiments in Modern Realism, attempts to decenter and reconfigure dominant notions concerning the nature of art production in one of the liveliest periods in the history of art, roughly 1945–1968.
An endless, “unlimited semiosis” starts taking place. But the unlimited eventually gets limited in many ways - the art historian's lack of imagination, word limits and on. Nobody can go on and on and on about an art object. Here Alex Potts stirs the deepest pot of trouble about using Semiosis as a visual art interpretation methodology ...
It was his day off and he didn’t have any plans, so he ate his breakfast in front of the computer screen and asked himself “What do I want to do?”. A grand existential crisis, a surreal Bulgakovian satire, or simply A Quiet Disaster?
