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  1. Gunnel Margareta Wållgren (* 16. November 1913 in Göteborg; † 4. Juni 1983 in Stockholm) war eine schwedische Theaterschauspielerin. Sie gilt als eine der großen schwedischen Schauspielerinnen des 20. Jahrhunderts. Inhaltsverzeichnis. 1 Leben und Karriere. 2 Auszeichnungen. 3 Filmographie (Auswahl) 4 Weblinks. Leben und Karriere.

  2. Gunn Wållgren (born Gunnel Margaret Haraldsdotter Wållgren; [vɔlɡreːn]; [stress/tone?] (November 16, 1913 – June 4, 1983) was a Swedish stage and film actress. She is best remembered for her role in Ingmar Bergman's film Fanny and Alexander.

  3. Gunn Wållgren. 13 språk. Gunnel "Gunn" Margaret Haraldsdotter Wållgren, född 16 november 1913 i Göteborgs domkyrkoförsamling, Göteborg, död 4 juni 1983 i Oscars församling, Stockholm, [ 1] var en svensk skådespelare . Biografi [ redigera | redigera wikitext]

  4. Actress: Fanny and Alexander. Constantly considered to be one of the greatest actresses in modern Swedish theater history, Gunn Wållgren is mostly known for her many roles in plays by Ibsen, Strindberg and Chekhov, and internationally; for her wonderful part as the grandmother in director Ingmar Bergman's Fanny and Alexander (1982).

  5. 1913-11-16 — 1983-06-04. Actor. Gunn Wållgren was one of the most prominent twentieth-century leading actors at the Dramaten theatre. She also performed at numerous private theatres and appeared on TV and in films. Gunn Wållgren was born in Gothenburg in 1913.

  6. Svensk skådespelare (filmroller 1943–1983, scendebut 1937). Född Gunnel Margaret Haraldsdotter Wållgren i Göteborg. Död i Oscars församling, Stockholm. Gift med skådespelaren och regissören Erik Faustman 1941–1946 och med regissören och teaterdirektören Per-Axel Branner.

  7. Gunn Wållgren (16 November 1913 – 4 June 1983) was a Swedish actress. Considered one of Sweden's finest and also to date most appreciated actresses, Wållgren was famous for her fragile and sensual way of acting, her warm and rich inner soulfulness, and her never failing ability of presenting an absolute presence and naturalness on stage ...