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Pierre Marie François de Sales Baillot (* 1. Oktober 1771 in Passy bei Paris; † 15. September 1842 in Paris) war ein französischer Violinist und Komponist . Inhaltsverzeichnis. 1 Leben. 2 Werke (Auswahl) 3 Literatur. 4 Weblinks. Leben.
Years active. 1791-1833. Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Conservatoire de Paris together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote ...
11. März 2021 · Abstract. Pierre Baillot (1771–1842), an eminent French violinist and pedagogue of the early nineteenth century, offers a surprisingly modern role model to musicians in today's fast-changing world of music. First, Baillot's career foreshadows the resilience and versatility required of entrepreneurial musicians today.
This adds to and replaces material from the first ' Méthode '. Includes excerpts from works by several different composers. The unpublished Baillot etudes (Numbered 15 and 23) both contain unusual passages where the violin tunes the bottom string down (scordatura) whilst playing at the same time (down to F ♯ in No.15, and in No.23 down to D ...
- 1834
- L'art du violon
Pierre Baillot. (1 October 1771 — 15 September 1842) ＝. Alternative Names/Transliterations: Pierre Marie François de Sales Baillot. ＝. Name in Other Languages: Пьер Мари Франсуа де Саль Байо, ピエール・バイヨ, Pierre de Sales Baillot, 貝洛特, پير بايلوت, ＝. Aliases: Pierre Marie Francois de ...
25. Jan. 2022 · Pierre Baillot: Against the odds. 2022-01-25T23:56:00. Pierre Baillot battled against financial hardship and suffered personal tragedy, yet he became a leading exponent of the 19th-century French violin school. Martin Wulfhorst reveals his importance as an instrumentalist, pedagogue and composer.
As a major representative of the French violin school, Pierre Marie François de Sales Baillot (1 Oct. 1771-15 Sep. 1842) played with impeccable left-hand technique, a big, beautiful sound, a large array of sophisticated strokes, and intense expressivity. Most important, he shaped and promoted a new aesthetics of performing, aimed at grasping and conveying the composer’s intentions. He ...
