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  1. Naruse Mikio. Naruse Mikio (japanisch 成瀬 巳喜男; * 20. August 1905 in Tokio, Japan; † 2. Juli 1969 in Tokio, Japan) war ein japanischer Regisseur, Autor und Produzent. Zusammen mit Yasujiro Ozu, Kenji Mizoguchi und Akira Kurosawa war er der bekannteste japanische Regisseur seiner Zeit.

  2. en.wikipedia.org › wiki › Mikio_NaruseMikio Naruse - Wikipedia

    Mikio Naruse (成瀬 巳喜男, Naruse Mikio, 20 August 1905 – 2 July 1969) was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. [1] [2] [3] Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shōshimin-eiga ("common people drama") films with female protagonists, portrayed ...

    Year
    English Title
    Japanese Title
    Rōmaji Title
    1930
    Mr. and Mrs. Swordplay
    チャンバラ夫婦
    Chambara fufu
    1930
    Pure Love
    純情
    Junjo
    1930
    Hard Times
    不景気時代
    Fukeiki jidai
    1930
    Love Is Strength
    愛は力だ
    Ai ha chikara da
  3. 20. Aug. 2015 · Mikio Naruse: 10 essential films. As highly regarded as Kurosawa, Mizoguchi and Ozu by many, director Mikio Naruse is far less well known in the west. These 10 films offer the perfect introduction.

  4. www.imdb.com › name › nm0621540Mikio Naruse - IMDb

    Mikio Naruse. Director: Floating Clouds. Considered a major figure of Japan's 'golden age of cinema', Mikio Naruse was a filmmaker, screenwriter, and producer who directed 89 films in the period 1930 to 1967. Although Naruse's work is lesser known in the twenty-first century than those of his contemporaries Akira Kurosawa, Kenji Mizoguchi, and ...

    • January 1, 1
    • Yotsuya, Tokyo, Japan
    • January 1, 1
    • Tokyo, Japan
  5. 7. Juni 2021 · In the Mood for Mikio Naruse: A Guide to Japan’s Unsung Master. Timothy Amatulli June 7, 2021 Features. The scope of discourse surrounding the greatest directors of Japan’s Golden Age of cinema tends to unfortunately limit itself to three major directors: Kenji Mizoguchi, Yasujirō Ozu, and Akira Kurosawa.

  6. Naruse pushes the other-woman theme to an extreme of clarity and tension in films that reverse cinematic clichés about “strong, independent women.” In the superb Untamed (57), the ever-dissatisfied Oshima, at two stages of her random course from man to man, finds herself confronted with the same rival, the opportunistic Oyu. Oshima ...

  7. 18 Feb. Über zwei Dinge habe ich mich doch sehr gewundert, als ich vor kurzem anfing, mich näher mit Mikio Naruse zu beschäftigen: Erstens seine außergewöhnlich lange Schaffenskrise und zweitens, dass seine Filme nicht nur im Westen unbekannt, sondern auch in Japan seit Jahrzehnten nahezu in Vergessenheit geraten sind.