Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Claude Jutra, eigentlich Jutras, war ein kanadischer Filmregisseur, Drehbuchautor und Schauspieler.

  2. en.wikipedia.org › wiki › Claude_JutraClaude Jutra - Wikipedia

    Claude Jutra (French pronunciation: [klod ʒytʁa]; March 11, 1930 – November 5, 1986) was a Canadian actor, film director, and screenwriter. [1] The Prix Jutra, and the Academy of Canadian Cinema and Television's Claude Jutra Award, were named in his honour because of his importance in Quebec cinema history. [2]

  3. Claude Jutra est un cinéaste québécois 1, né le 11 mars 1930 à Montréal et mort dans la même ville le 5 novembre 1986 2. Certains de ses films font date dans l'histoire du cinéma québécois et sont acclamés au niveau international.

  4. www.imdb.com › name › nm0433267Claude Jutra - IMDb

    Claude Jutra. Director: My Uncle Antoine. He finished his medical studies at the age of 22 to please his parents, but he was already developing an attraction to the visual arts and to cinema. As a teenager, he had made two shorts with Michel Brault. In 1953, he wrote a television script. He joined the Office national du film du Canada (National ...

    • January 1, 1
    • Montréal, Québec, Canada
    • January 1, 1
    • Montréal, Québec, Canada
  5. 11. Sept. 2006 · Claude Jutra was a central figure in the development of direct cinema in Québec and directed two films of tremendous significance to the Quiet Revolution: the autobiographical À tout prendre (1963); and Mon oncle Antoine (1970), which is widely regarded as one of the greatest Canadian films ever made.

  6. Claude Jutra was a founding figure of Quebecs modern cinema that emerged in the 1960s. Amidst the political and cultural dynamism of Quebec’s révolution tranquille (Quiet Revolution), the seventh art had as its mission the forging of a distinct autonomous Québécois imaginary.

  7. Director, scriptwriter, actor. Ancestor, enigma and martyr of queer cinema in Canada, Jutra’s prodigious oeuvre contained only one explicit queer moment. But that moment, in À tout prendre (1963), was accompanied by gongs and zooms.