Suchergebnisse
Suchergebnisse:
Hindle Wakes is a 1952 British drama film, directed by Arthur Crabtree and starring Lisa Daniely, Brian Worth, Leslie Dwyer and Sandra Dorne. It was the fourth screen adaptation of the Stanley Houghton play of the same name (1912), dealing with a young woman engaging in a holiday sexual flirtation, regardless of the disapproval of ...
Holiday Week: Directed by Arthur Crabtree. With Leslie Dwyer, Lisa Daniely, Brian Worth, Sandra Dorne. A cotton mill worker in Lancashire falls for her boss's son while on a Wakes Week holiday in Blackpool but enlists the aid of her girlfriend to keep it a secret to hide it from her interfering parents.
- (210)
- Drama, Romance
- Arthur Crabtree
- 1952-11-10
Hindle Wakes / AT: Holiday Week Hindle Wakes ist ein Drama aus dem Jahr 1952 von Arthur Crabtree mit Leslie Dwyer und Lisa Daniely . Komplette Handlung und Informationen zu...
Overview. During a holiday to the beach Jenny meets Alan and agrees to spend the week with him. Wanting to keep this a secret from her parents Jenny gets help from her friend Mary to pretend her whereabouts but disaster strikes during a boating accident. It is soon discovered Jenny was not with Mary.
Hindle Wakes is a 1952 British drama film, directed by Arthur Crabtree and starring Lisa Daniely, Brian Worth, Leslie Dwyer and Sandra Dorne. It was the fourth screen adaptation of the Stanley Houghton play of the same name (1912), dealing with a young woman engaging in a holiday sexual flirtation, regardless of the disapproval of her parents ...
1952 Directed by Arthur Crabtree. During a holiday to the beach Jenny meets Alan and agrees to spend the week with him. Wanting to keep this a secret from her parents Jenny gets help from her friend Mary to pretend her whereabouts but disaster strikes during a boating accident. It is soon discovered Jenny was not with Mary.
Hindle Wakes ist einer der wenigen Filme, der Arbeit über Ehe, Romantik und Liebe triumphieren lässt und damit die Brücke schlägt zwischen den Anliegen der Frauenbewegung nach Selbstbestimmung in Berufstätigkeit und Sexualität.» (Annette Brauerhoch, City Girls – Frauenbilder im Stummfilm, 2007)
