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The Mouth Agape (French: La gueule ouverte) is a 1974 French drama film directed by Maurice Pialat. It depicts, in a cinematic realist fashion, a woman going through a terminal illness and also dealing with the tumultuous lives of her husband and son. It was one of the least commercially successful of Pialat's films.
8. Mai 1974 · The Mouth Agape: Directed by Maurice Pialat. With Nathalie Baye, Hubert Deschamps, Philippe Léotard, Monique Mélinand. Monique is dying. Around her gather her unfaithful husband, her son, who is like his father, and her daughter-in-law. We observe them playing with life as she dies.
- (1,3K)
- Drama
- Maurice Pialat
- 1974-05-08
Vor einem Tag · The Mouth Agape. — Maurice Pialat. The title of Maurice Pialat’s 1974 film La Gueule Ouverte is reminiscent of something Francis Bacon said about his paintings of the pope screaming, reacting against accusations of pure shock value by saying he wanted to “paint the scream and not the horror.”. Bacon’s argument is that he began from ...
Synopsis. Monique is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband carries on with life, her son remains aloof, and her daughter-in-law wonders if she is witnessing her own decline. They all struggle to express, or feel, their love for one another. Remove Ads.
- (2,4K)
- Les Films La Boétie, Lido Films
- Maurice Pialat
Maurice Pialat never shied away from exposing the darkest corners of the human experience, and his third feature remains his most boldly confrontational. Unblinking in its surveyal of a sick woman’s final days, The Mouth Agape bears tough, unadorned witness to the realities of end-of-life care.
Monique (Monique Melinand) is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband, Roger (Hubert Deschamps), carries on with life, groping the...
- Drama
Play Trailer. Overview. Monique is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband carries on with life, her son remains aloof, and her daughter-in-law wonders if she is witnessing her own decline. They all struggle to express, or feel, their love for one another. Maurice Pialat.
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