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  1. 11. Okt. 2009 · Port City: Directed by Andy Brown. With Matt Lutz, Micah Shane Ballinger, Jodie Sweetin, Natalie Canerday. Several stories interweave, chronicling the lives, loves and adventures of a group of diverse, inter-related characters in and around the port city of Wilmington, NC.

    • (108)
    • Comedy
    • Andy Brown
    • 2009-10-11
  2. 11. Okt. 2009 · Overview. Life in Wilmington, North Carolina is pretty slow for David until he starts having a fling with a mysterious older woman. To make life even more complicated David's sister Nancy, and co-worker Jeanne have problems of their own that they share with David. Nancy is fighting of the unwanted affections of two men.

  3. We are Port City Films, a full-service video production company and post-production house based in Wilmington, North Carolina. Our team develops original content for a wide range of clients and projects around the globe while providing support and services for local independent film, corporate, and commercial productions across the Carolinas.

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  4. 1 hr 43 min. 6.9 (107) Port City is a 2009 American movie directed by Andy Brown. The movie stars Matt Lutz, Micah Shane Ballinger, and Jodie Sweetin in leading roles.

    • (107)
    • Andy Brown
  5. Port City: Ein Film von Andy Brown mit John Wesley Shipp und Natalie Canerday. Weitere Informationen zu diesem und anderen Filmen auf Moviejones.de!

  6. Life in Wilmington, North Carolina is pretty slow for David until he starts having a fling with a mysterious older woman. To make life even more complicated David's sister Nancy, and co-worker Jeanne have problems of their own that they share with David. Nancy is fighting of the unwanted affections of two men. Meanwhile, Jeanne must contend her deadbeat husband. And on top of it all, David has ...

  7. 1. Juli 2022 · Yat Ming Loo. Genre (2022) 55 (2): 85–115. https://doi.org/10.1215/00166928-10001336. Share. Tools. Abstract. This article contrasts a range of films from around the world that take place within port cities. It presents the port city film as a case of transnational “geographic imaginary” that dramatizes spaces of contact across lifeworlds.