1963
Suchergebnisse
Suchergebnisse:
The Third Lover (French: L'Œil du malin), also titled The Eye of Evil, is a 1962 French–Italian crime drama film directed by Claude Chabrol. It tells the story of a French journalist in Southern Germany who befriends a novelist and his wife and gradually begins to destroy the couple's lives.
The Third Lover: Directed by Claude Chabrol. With Jacques Charrier, Stéphane Audran, Walther Reyer, Erika Tweer. André Mercier, a journalist known as Albin Mercier, is a failed, embittered writer. Sent to cover an event in Germany, he gets to know Andreas Hartmann, another writer who, for his part, has not... failed.
- (1K)
- Drama
- Claude Chabrol
- 1963-06-24
Claude Chabrol’s L’oeil du malin (US: The Third Lover) perfectly represents the transition from film noir to the French New Wave. The suspense is psychological, the crime is domesticated, and the motivations are inexplicable, taking on a kind of emotional nihilism. Unlike so much of noir, the plot is almost painfully simple: a lonely ...
The Third Lover is an early psychological thriller by Claude Chabrol showing him finding his true subjects: adultery, sexual jealousy, murder. Albin (Jacques Charrier) is an unsuccessful, frustrated novelist forced to report on German life from Munich for a French newspaper. He learns that Andreas Hartman (Walther Reyer), a famous novelist ...
- (1,4K)
- Claude Chabrol
Der Film The Third Lover ist ein 80 minuten lang drama aus 1962, unter der regie von Claude Chabrol. Die Hauptbesetzung besteht aus Stéphane Audran, Daniel Boulanger, Jacques Charrier und Walther Reyer.
Watch Now. The Third Lover (1962) U 05/02/1962 (FR) Drama , Thriller 1h 20m. User. Score. Play Clip. Overview. The story of a journalist in southern Germany who stays with a novelist and his wife and gradually begins to destroy the young couple's lives. Claude Chabrol. Director, Writer. Paul Gégauff. Writer. Martial Matthieu. Writer.
Claude Chabrol’s overlooked early film exemplifies the director’s soon-to-be signature disdain for bourgeois values. Ruthlessly toying with marital sanctity, this cruel examination of the basest human instincts also hints at the instability of the French national identity in the aftermath of WWII.
