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  1. 8. Nov. 2011 · Roses à crédit: Directed by Amos Gitai. With Léa Seydoux, Grégoire Leprince-Ringuet, Catherine Jacob, Pierre Arditi. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade.

    • (159)
    • Drama
    • Amos Gitai
    • 2011-11-08
  2. Roses à crédit ( lit. 'Roses on credit') is a 2010 French drama film co-written and directed by Amos Gitai and starring Léa Seydoux and Grégoire Leprince-Ringuet. It is based on the 1959 novel of the same name by Elsa Triolet. It received its premiere at the 2010 Toronto International Film Festival. [1] [2] Cast. Léa Seydoux as Marjoline.

  3. Be prepared for something entirely different with Roses à crédit, a film shot entirely in France, where evidence of contemporary society appears to be virtually absent (although there is indubitably a message for the present embedded in its tale). Israel is never mentioned; ditto the Holocaust.

  4. Roses à crédit. Léa Seydoux stars in Amos Gitai's film adaptation of Elsa Triolets 1959 novel. A young couple marry in 1940s France and we follow the arc of their marriage over the next decade. At the end of WWII, pretty Marjoline arrives in Paris.

  5. 9. Sept. 2010 · A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

  6. 15. Dez. 2010 · ROSES À CRÉDIT. At the end of WWII, Marjoline, a pretty adolescent, arrives in Paris. She becomes a manicurist in a luxurious beauty salon and marries Daniel, a young horticultural researcher. True happiness is hers when they receive the gift of an apartment with all the modern comforts.

  7. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.