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  1. en.wikipedia.org › wiki › Eddie_LangEddie Lang - Wikipedia

    Eddie Lang (born Salvatore Massaro; October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. [2]

  2. Eddie Lang (* 25. Oktober 1902 in Philadelphia, Pennsylvania; † 26. März 1933 in New York City, eigentlich Salvatore Massaro) war ein US-amerikanischer Jazz -Musiker. Er gilt als der erste Virtuose der Jazz-Gitarre und trug zu seiner Zeit den Titel „Mr. Guitar“. Inhaltsverzeichnis. 1 Leben. 2 Sammlung. 3 Literatur. 4 Weblinks. Leben.

  3. 11. Apr. 2020 · 417 subscribers. Subscribed. 517. 25K views 3 years ago. A mini-documentary about Eddie Lang, "the father of jazz guitar". Although he remains a relatively obscure figure to the wider...

  4. Eddie Lang (born Oct. 25, 1902, Philadelphia, Pa., U.S.—died March 26, 1933, New York, N.Y.) was an American musician, among the first guitar soloists in jazz and an accompanist of rare sensitivity. Lang began playing violin in boyhood; his father, who made fretted stringed instruments, taught him to play guitar.

  5. jazz guitar legends Jun 17, 2020. On March 30, 1933, over two thousand people gathered in Philadelphia for the funeral of the legendary jazz guitarist Eddie Lang. Just four days earlier, Lang had tragically and unexpectedly passed away at the age of 31 during a routine tonsillectomy.

  6. 6. März 2014 · Eddie Lang. Biography. News. Has Influenced. Eddie Lang was the first Jazz guitar virtuoso. A boyhood friend of Joe Venuti, Lang took violin lessons for 11 years but switched to guitar before he turned professional in 1924 with the Mound City Blue Blowers.

  7. 19. Apr. 2021 · Already a guitar virtuoso by the standards of his day, he rapidly developed a technique to give him the best advantage of being heard clearly on record, becoming the first guitarist to sit close to the mike and allowing the mike to capture the full resonance and tone of the instrument.