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Eleonora de’ Medici ( Eleonora Maria di Francesco de’ Medici; * 28. Februar 1567 in Florenz; † 9. September 1611 in Cavriana) war eine Tochter von Francesco I., Großherzog der Toskana, und der Erzherzogin Johanna von Österreich. Sie war ein Familienmitglied des Hauses der Medici.
Eleanor de' Medici (28 February 1567 – 9 September 1611) was a Duchess of Mantua by marriage to Vincenzo I Gonzaga. She served as regent of Mantua 1595, 1597 and 1601, when Vincenzo served in the Austrian campaign in Hungary, and in 1602, when he left for Flanders for medical treatment.
Eleanor of Toledo (Spanish: Leonor Álvarez de Toledo y Pimentel-Osorio, Italian: Eleonora di Toledo; 11 January 1522 – 17 December 1562) was a Spanish noblewoman who became a Duchess of Florence as the first wife of Cosimo I de' Medici.
Wife of Cosimo de' Medici, who after her death became Grand Duke, duchess and head of state in Florence, a politically powerful woman, the founder of the Boboli Gardens, but also an iconic beauty, Eleonora was a fashion innovator and trendsetter in her day, a passionate patron of the arts, a dazzling (if rare) example of female authority and ...
Alessandro Allori, Eleonora ('Dianora') di Don Garzia di Toledo di Pietro de'Medici, circa 1571. Eleonora di Garzia di Toledo or Leonor Álvarez de Toledo Osorio (March 1553 – 10 July 1576), [a] more often known as "Leonora" or "Dianora", [b] was the daughter of García Álvarez de Toledo, 4th Marquis of Villafranca, Duke of ...
Eleonora de Medici was a noblewoman who married the Italian prince Cosimo I de Medici. Sixteenth-century Italy was a place of incessant civil warfare carried on by the lords of its powerful city-states, and Cosimo was no exception to the rule. He spent most of his career trying to defeat the House of Strozzi, hereditary enemies of the House of ...
Size. 115 x 96 cm. Inventory. 1890 no. 748. The magnificent portrait of Eleonora di Toledo together with her second son Giovanni is one of Bronzino's greatest masterpieces, and is the work that contributed to transmitting the splendour of Cosimo I de' Medici’s bride to the collective imaginary.
