Suchergebnisse
Suchergebnisse:
Giuliano da Sangallo (eigentlich Giuliano Giamberti; * um 1445 in Florenz, Italien; † 1516 ebenda) war ein italienischer Architekt und Bildhauer . Inhaltsverzeichnis. 1 Leben und Werk. 2 Literatur. 3 Weblinks. 4 Einzelnachweise. Leben und Werk. Giuliano da Sangallo war der Bruder von Antonio da Sangallo dem Älteren.
Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron.
Giuliano Giamberti da Sangallo è stato un architetto, ingegnere militare e scultore italiano. Tra i migliori continuatori di Brunelleschi ed Alberti nella seconda metà del XV secolo, fu architetto prediletto di Lorenzo il Magnifico, pioniere nello studio delle antichità classiche, progettista di opere assunte come modello nelle ...
Vor 4 Tagen · A biography of Giuliano da Sangallo (c. 1445–1516), a Florentine architect, military engineer, and sculptor, who worked in the early Renaissance style influenced by Brunelleschi. Learn about his major works, such as the Villa Medici, the Church of Santa Maria delle Carceri, and the Palazzo Strozzi, and his role in the building of St Peter's.
Giuliano da Sangallo (1445?–1516) was an architect, sculptor, and military engineer whose masterpiece, a church of Greek-cross plan, Santa Maria delle Carceri in Prato (1485–91), was strongly influenced by Filippo Brunelleschi. It is the purest, most classic expression of that style of 15th-century architecture.
Giuliano da Sangallo (1443–1516) war der bedeutendste Architekt in der Generation der um 1440 Geborenen und konnte sich zeitlebens der Protektion der Medici erfreuen. Er war der Bruder des älteren Antonio (1455–1534), der vor allem als Architekt der Kirche Madonna di S. Biagio in Montepulciano bekannt ist.
25. Jan. 2022 · Giuliano da Sangallo (1443–1516) was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome's past into the image of a city made whole.
