Suchergebnisse
Suchergebnisse:
Jean-François de Troy (* 27. Januar 1679 in Paris; † 24. Januar 1752 in Rom) war ein französischer Maler. Er erlangte insbesondere Bekanntheit für seine ab 1724 entstandenen tableaux de mode. Inhaltsverzeichnis. 1 Leben. 2 Werke (Auswahl) 3 Literatur. 4 Weblinks. Leben.
Jean-François de Troy (27 January 1679, Paris – 26 January 1752, Rome) was a French Rococo easel and fresco painter, draughtsman and tapestry designer. One of France's leading history painters in his time, he was equally successful with his decorative paintings, genre scenes and portraits.
Jean-François de Troy (ou Jean-Baptiste-François de Troy, suivant les sources [1]), né le 27 janvier 1679 à Paris et mort le 26 janvier 1752 à Rome, est un peintre et dessinateur de cartons de tapisseries français. De son vivant, Jean-François de Troy fut considéré comme l'un des plus importants peintres d'histoire de France.
12. Apr. 2024 · Jean-François de Troy (baptized January 27, 1679, Paris, France—died January 26, 1752, Rome, Papal States [Italy]) was a French Rococo painter known for his tableaux de mode, or scenes of the life of the French upper class and aristocracy, especially during the period of the regency—e.g., Hunt Breakfast (1737) and Luncheon with ...
- The Editors of Encyclopaedia Britannica
1679 - 1752. Born in Paris, he was the son of the portrait painter François de Troy; studied in Italy from 1699 until about 1706. He became a successful and fashionable artist, in all branches of painting, particularly genre. He was appointed Director of the French Academy in Rome in 1738 and remained there until his death.
The Declaration of Love. Jean François de Troy French. ca. 1724. On view at The Met Fifth Avenue in Gallery 630. This celebrated painting and its nearby pendant, The Garter, exemplify a genre of painting known as tableaux de mode (paintings of fashionable society) established by de Troy.
21. Feb. 2024 · Jean-François de Troy (Getty Museum) Person. Jean-François de Troy made tableaux de mode famous. Rather than the idyllic, theatrical depictions of his predecessors, De Troy showed the life of fashionable French society in a detailed, accurate, and non-judgmental way.
