Suchergebnisse
Suchergebnisse:
Auguste Joseph Bracquemond, genannt Félix Bracquemond (* 22. Mai 1833 in Paris; † 29. Oktober 1914 in Sèvres, Département Hauts-de-Seine) war ein französischer Maler, Grafiker und Porzellanmaler. Mit seinen neuen Methoden der Radierung regte der mit zahlreichen impressionistischen Malern bekannte Künstler etwa Édouard Manet ...
Félix Henri Bracquemond ( French pronunciation: [feliks ɑ̃ʁi bʁakmɔ̃]; 22 May 1833 – 29 October 1914) was a French painter, etcher, and printmaker. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissarro to use this technique.
Auguste Joseph Bracquemond, dit Félix Bracquemond, né à Paris le 28 mai 1833 et mort à Sèvres le 27 octobre 1914, est un peintre, céramiste, graveur et décorateur d' objets d'art français . Dès 1856, il est considéré comme le premier, en France, à découvrir l'intérêt de l' art japonais.
4. Okt. 2015 · French printmaker and designer Félix Bracquemond (1833–1914) produced more than 800 etchings during a prolific career that spanned the late 19th century. Though celebrated from the outset of his career as a skilled reproductive etcher, Bracquemond enthusiastically championed the etching revival in France, prominently leading the ...
The Rainbow. Félix Bracquemond French. 1893. Not on view. After his initial efforts of about 1873 ( 22.15.3 and 22.15.4 ), Bracquemond returned to color printmaking in the 1890s with this remarkable and experimental work. A female nude seated on the bank of the Seine reaches above her head to gather the end of a rainbow, which falls at her ...
Félix Bracquemond: Impressionist Innovator – Selections from the Frank Raysor Collection. Virginia Museum of Fine Arts, Richmond. February 13, 2015–October 4, 2015. The role of printmaking in the avant-garde art of Europe in the late nineteenth century is still underappreciated today despite the diligent efforts of recent print historians.
Félix Bracquemond French. ca. 1873. Not on view. As the first ambitious attempt in the nineteenth century to create a multicolor print through combining several plates (in this case four), Bracquemond’s In the Zoological Garden is a pioneering work in the history of French printmaking.
