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  1. Antoine-Jean Gros (* 16. März 1771 in Paris; † 26. Juni 1835 bei Meudon) war ein französischer Maler des Klassizismus. Gros ist bekannt für seine historischen Gemälde, mit denen er den Aufstieg Napoleons I. festhielt. Leben und Werk.

  2. Antoine-Jean Gros (French pronunciation: [ɑ̃twanʒɑ̃ gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was granted the title of Baron Gros in 1824. Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution.

  3. Bonaparte visitant les pestiférés de Jaffa. Napoléon sur le champ de bataille d'Eylau. Vue de la sépulture. modifier - modifier le code - modifier Wikidata. Antoine-Jean Gros, baron Gros, né le 16 mars 1771 à Paris 1 et mort le 25 juin 1835 à Meudon 2, est un peintre français néoclassique et préromantique.

  4. Antoine-Jean Gros, French Romantic painter principally remembered for his historical pictures depicting significant events in the military career of Napoleon. The elegance, richness, and dramatic power of these works influenced other painters, including Eugene Delacroix. Learn more about Gross life and career.

  5. Antoine-Jean Gros (* 16. März 1771 in Paris; † 26. Juni 1835 bei Meudon) war ein französischer Maler des Klassizismus. Gros ist bekannt für seine historischen Gemälde, die den Aufstieg Napoleons I. festhalten. Sein Vater Jean Antoine Gros (1732–1786) war ein bekannter Miniaturenmaler und erteilte seinem Sohn Unterricht.

  6. The son of parents who were both painters of miniature portraits, Antoine-Jean Gros was born in Paris in 1771. At the age of fifteen he became one of the first pupils of Jacques-Louis David (1748-1825) on the latter's return from Italy after his completion of the Oath of the Horatii. Though his excitable and sensitive personality and his relish ...

  7. Informations générales. One of Jacques-Louis David’s (1748–1825) most famous pupils, and known as the painter of the Napoleonic epic, Antoine-Jean Gros is rightly considered a forerunner of Romanticism. Early on, his drawings, more so than his paintings, began to reveal a gradual shift away from David’s teachings, leading to a ...