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Suchergebnisse:
Chu Ishikawa (石川忠, Ishikawa Chū, 6 February 1966 – 21 December 2017) was a Japanese composer and musician, best known for creating the soundtracks of many films by Shinya Tsukamoto and Takashi Miike. He also founded industrial music groups Der Eisenrost and Zeitlich Vergelter.
Der Eisenrost (literally 'The Iron Rust') is one of the premier industrial "Metal Percussion" units in Tokyo, Japan. They are best known for producing the film soundtrack for Shinya Tsukamoto 's Tokyo Fist. Lead man and innovator Chu Ishikawa was notable for the futuristic, often industrial soundtracks for independent film creator ...
While he was mostly known for his soundtracks, Ishikawa, born in 1966, was actually a key player in Japan’s industrial and experimental music scene. Back in the mid-80s he was part of the short-lived Zeitlich Vergelter , an “alternative metal percussion unit” which, besides some compilation appearances, only released one 7″ single, but ...
- Cast
- Production
- Style
- Release
- Reception
- Legacy
- References
- External Links
Nobu Kanaoka as a Woman in glassesBackground and pre-production
As a child, Tsukamoto read Shōnen tantei dan and other children's books by Edogawa Ranpo in late grade school and early high school, finding himself interested in what he described as the "dark edges" of the books. He recalled, "I had similar feelings from reading his books as leafing through SM magazines I read when I was in high school." Tsukamoto was also a fan of kaiju series as a child, seeing the Gamera and Godzilla films and the television series Ultra Q. Tsukamoto spoke specifically b...
Filming
Tetsuo: The Iron Man was shot back to back with the short film The Adventure of Denchu Kozo. Among the major changes from his short film work, was changing from 8mm film to 16mm, which would make the film suitable for theatrical presentation. The film was initially going to be made as an additional short film, at about thirty minutes in length. The choice was made after seeing some Derek Jarman films which were shot in black and white and when blown up to 16mm and 35mm projections, Tsukamoto...
Post-production
Tsukamoto created a rough cut of the film in December 1988 which ran at 77 minutes in length. Tsukamoto found himself emotionally and physically exhausted during the editing process, especially on hearing loud banging noises from the sound effects in the film again and again. During the editing process, Tsukamoto's short film The Adventure of Denchu Kozo won the Grand Prize award at the PIA Film Festival in Japan.He stated getting the award felt like "walking out of the darkness into a bright...
When asked about the film's meaning, Tsuakamoto responded that he felt it was about "the process in which human beings become 'Iron'; that is, it's some kind of human condition," and that when he made the film, he was "preoccupied with chaos, so I was trying to integrate the horror with the science fiction that I had within me." Tsukamoto expanded ...
When Tetsuo: The Iron Man was complete, Tsukamoto settled on Nakano Musashino Hall which could fit 80 people. The theatre was equipped with a projector that could handle 16mm film and had it set for late-night screenings in July. Tsukamoto described the location as "the smallest theatre in Tokyo".The film was distributed by Kaijyu Theatre in Japan ...
From contemporary reviews, critics commented on the film's originality and what Tony Rayns in Sight & Sound referred to as a "gleefully extremist" style. Dan Persons writing in Cinefantastique echoed this, noting the film "catches a lost spirit of pure, kinetic filmmaking" while Richard Harrington of The Washington Post found the film to be "67 of ...
Jay McRoy, author of Nightmare Japan: Contemporary Japanese Horror Cinema declared Tetsuo: The Iron Man as being "one of the most influential Japanese horror films ever produced" which along with Sogo Ishii's Burst City (1982) and Toshiharu Ikeda's Evil Dead Trap(1988) "spurred the emergence of an increasingly visceral and graphically violent wave ...
Sources
1. Alexander, Dave (May 2005). "Sick Inside the Machine". Rue Morgue. No. 45. ISSN 1481-1103. 2. Alexander, Dave (May 2005b). "Tokyo Extremes". Rue Morgue. No. 45. ISSN 1481-1103. 3. Brooke, Michael (November 2012). "New Releases". Sight & Sound. Vol. 22, no. 11. 4. Felperin, Leslie (4 September 2009). "Tetsuo the Bullet Man". Variety. Retrieved 4 September 2023. 5. Harrington, Richard (24 July 1992). "'Tetsuo: The Iron Man' (NR)". The Washington Post. Archived from the original on 24 July 20...
Tetsuo: The Iron Man at IMDbTetsuo: The Iron Man at Rotten TomatoesTetsuo: The Iron Man at AllMovieReview at Midnight EyeBullet Ballet (バレット・バレエ) is a 1998 Japanese film directed by and starring Shinya Tsukamoto, and co-starring Hisashi Igawa, Sujin Kim, Kirina Mano, Takahiro Murase, Tatsuya Nakamura and Kyōka Suzuki. After his girlfriend commits suicide, a man (Shinya Tsukamoto) becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
Die bekannteste Form wurde Anfang der 1940er Jahre vom japanischen Wissenschaftler Kaoru Ishikawa entwickelt und später auch nach ihm benannt. Das Ishikawa-Diagramm wurde ursprünglich im Rahmen des Qualitätsmanagements zur Analyse von Qualitätsproblemen und deren Ursachen angewendet.
Tetsuo: The Bullet Man is a 2009 Japanese cyberpunk body horror film directed by Shinya Tsukamoto. [2] The film is a standalone sequel to Tetsuo: The Iron Man (1989) and Tetsuo II: Body Hammer (1992), and follows a man who transforms into a rageful metallic being after his son is killed in a car crash. It stars Eric Bossick, Akiko ...
