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  1. As a style, New Orleans blues is primarily driven by piano and French horn, enlivened by Caribbean rhythms and Dixieland music. It is generally cheerful in delivery regardless of the subject, with a laidback tempo and complex rhythms falling just behind the beat. Vocals range from laidback crooning to full-throated gospel shouting. [1]

  2. New Orleans Blues. Primarily (but not exclusively) piano- and horn-driven, New Orleans Blues is enlivened by Caribbean rhythms, an unrelenting party atmosphere, and the "second-line" strut of the Dixieland music so indigenous to the area. There's a cheerful good-naturedness to the style that infuses the music with a good-time feel, no matter ...

  3. New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals.

  4. In New Orleans gibt es jede Menge Clubs und Bars, in denen Livemusik gespielt wird. In der Stadt hat sich eine Blues-Szene entwickelt, die einen eigenen Stil hervorgebracht hat. Dieser basiert zwar auf dem Südstaaten-Blues, doch nicht selten hört man im New-Orleans-Blues-Sound karibische Rhythmen.

  5. Dixieland. Rhythm & blues and rock & roll. Hip-hop. Heavy metal. See also. References. External links. Music of New Orleans. New Orleans brass band parade. The music of New Orleans assumes various styles of music which have often borrowed from earlier traditions.

  6. The Acoustic New Orleans Blues style, therefore, embraces everything from itinerant street singers and guitarists to rag-tag "spasm" bands (themselves an offshoot of the jug band) to house frolic piano players. The music also reflects the tastes of the patrons on the street, including jazz, boogie woogie, ballads, rhythm & blues, and pop tunes ...

  7. In New Orleans, blues is often mixed with other genres of music in that pursuit. “It’s all whopped up in there together,” says Alabama Slim, continuing “Jazz, funk, and blues, you know, because you have people that listen to the blues but won’t listen to the funk or the jazz.