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  1. Charles Melvin " Cootie " Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, [1] and rhythm and blues trumpeter. Biography. Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. [2] .

  2. Cootie Williams (born July 10, 1911?, Mobile, Alabama, U.S.—died September 15, 1985, New York City, New York) was an American trumpeter whose mastery of mutes and expressive effects made him one of the most distinctive jazz musicians. Sources differ as to Williams’s birth date; in addition to July 10, 1911, a date of July 24, 1910, is also ...

    • The Editors of Encyclopaedia Britannica
  3. Cootie Williams. Fotografie von William P. Gottlieb. Charlie Melvin „Cootie“ Williams (* 10. Juli 1911 in Mobile, Alabama; † 15. September 1985 in Long Island in New York City) war ein US-amerikanischer Jazztrompeter . Inhaltsverzeichnis. 1 Leben. 2 Bedeutung. 3 Cootie Williams and His Orchestra. 4 Diskographische Hinweise. 5 Literatur. 6 Weblinks.

  4. Whether playing the muted colourful compositions of Ellington, or playing in the full-throated manner that reflected his admiration for Louis Armstrong, the distinctive trumpet playing of Cootie Williams remains one of the lasting joys of jazz. He was born, Charles Melvin Williams, in Mobile, Alabama, on 10 July 1911.

  5. Charles Melvin Williams. Trumpeter, Bandleader. (1910 - 1985) Cootie Williams was an integral part of Duke Ellington ’s band and a valued soloist from 1929-1940. He replaced trumpeter Bubber Miley whose plunger mute and growl contributed to the Ellington band’s distinctive sound. Williams was able to expand on that role with his superior ...

  6. Biography Charles Melvin “CootieWilliams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter.

  7. Cootie Williams and His Orchestra war eine amerikanische Bigband, die der Trompeter Cootie Williams von Ende 1941 bis 1947 leitete. Sie spielte nach Ansicht von Gunther Schuller in den frühen 1940er Jahren eine wichtige Übergangsrolle zwischen Swing und Bebop. Aus ihr gingen später bekannte Jazzmusiker wie Bud Powell, Eddie „Lockjaw ...

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