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Professor Longhair, eigentlich Henry Roeland Byrd, war ein US-amerikanischer Musiker, der als Sänger, Komponist und Pianist dem Rhythm and Blues New Orleans’ besonders in dessen früher Phase Impulse gab und darüber hinaus einige Klassiker des Mardi Gras verfasste, die bis zum heutigen Tage zum Standardprogramm des dortigen ...
Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz ...
Professor Longhair, eigentlich Henry Roeland Byrd , war ein US-amerikanischer Musiker, der als Sänger, Komponist und Pianist dem Rhythm and Blues New Orleans’ besonders in dessen früher Phase Impulse gab und darüber hinaus einige Klassiker des Mardi Gras verfasste, die bis zum heutigen Tage zum Standardprogramm des dortigen Karnevals ...
23. Apr. 2024 · Professor Longhair, American singer and pianist who helped shape the sound of New Orleans rhythm and blues from the mid-1940s. His signature piano style, characterized by a rollicking boogie-woogie bass and engaging syncopation, can be heard in the music of Fats Domino, Allen Toussaint, and Dr. John.
- The Editors of Encyclopaedia Britannica
New Orleans Piano is a 1972 album by Professor Longhair. It consists of material recorded in 1949 and 1953, including tracks previously released by Atlantic Records. The 1953 recording of "Tipitina" was added to the US National Recording Registry in 2011.
10. Mai 2018 · Professor Longhair—who was born Henry Roeland Byrd, in 1918, and known, more colloquially, by the honorific Fess—was that sort of player: a savant, an eccentric, a visionary, a gold tooth...
The cornerstone of New Orleans rhythm & blues piano, Professor Longhair’s astounding music influenced the work of Fats Domino, Dr. John, James Booker, Huey “Piano” Smith, Art Neville, and Allen Toussaint himself. Longhair’s unique appeal lay in his offbeat songs, his warbling voice and the infectiously syncopated piano style which he ...
