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  1. After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from New York City's SoHo district ...

  2. Die Zeit nach Mitternacht (Originaltitel: After Hours) ist eine US-amerikanische Filmkomödie, im Stile des Schwarzen Humors, aus dem Jahr 1985 von Martin Scorsese. Der Produzent des Films, Griffin Dunne, spielt auch die Hauptrolle. Inhaltsverzeichnis. 1 Handlung. 2 Produktion. 3 Synchronisation. 4 Kritiken. 5 Auszeichnungen. 6 Weblinks.

  3. 11. Okt. 1985 · A word processor has a nightmare of a night in New York's Soho after meeting a girl at a coffee shop. IMDb provides cast and crew, reviews, trivia, goofs, quotes, soundtrack and more for this surreal and darkly humorous film by Martin Scorsese.

    • (82K)
    • Comedy, Crime, Drama
    • Martin Scorsese
    • 1985-10-11
  4. 14. Jan. 2009 · A man's night from hell in New York, where he faces a series of bizarre and coincidental challenges to his safety and sanity. Scorsese's fast and stylish film is a pure exercise in filmmaking, with no lesson or message, but a lot of suspense and humor.

  5. www.rottentomatoes.com › m › 1032180-after_hoursAfter Hours | Rotten Tomatoes

    Bursting with frantic energy and tinged with black humor, After Hours is a masterful -- and often overlooked -- detour in Martin Scorsese's filmography. In a Manhattan cafe, word...

    • (68)
    • Martin Scorsese
    • R
    • Griffin Dunne
  6. A 1985 film by Martin Scorsese about a man's nightmare night in downtown Manhattan. Watch the trailer, listen to the commentary, and explore the cast and crew of this Kafkaesque cult classic.

  7. A word-processing specialist (Griffin Dunne) has a disastrous night in New York after meeting a woman (Rosanna Arquette) in a restaurant. Roger Ebert praises Scorsese's masterful control of effects and his examination of Manhattan as a state of mind.

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