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  1. This article presents a new interpretation of Manet's picture of Eva Gonzalès in the act of painting (London, National Gallery). The basis for this is the identification of the picture on the easel of Eva Gonzalès and of a second 'icon' of the Rococo, to which Manet refers to in his panel. In a broader perspective it is argued that this ...

    • Barbara Wittmann
  2. Dieser Bildsprache weise ich den Begriff «Ästhetik des modernen Lebens» zu. Um ihn zu erläutern, stelle ich an einem ausgewählten Werk Kriterien der Bildkunst Manets vor (I) und konturiere die historische Welt, auf die er seine Verfahrensweise bezieht (II).

  3. Édouard Manet (* 23. Januar 1832 in Paris; † 30. April 1883 ebenda) war ein französischer Maler. Er gilt als einer der Wegbereiter der modernen Malerei. Édouard Manet kam 1832 im Haus Nummer 5 in der Rue des Petits-Augustins (heute Rue Bonaparte) im Pariser Stadtviertel Saint-Germain-des-Prés zur Welt.

    • French
    • April 30, 1883
    • Paris, France
  4. 22. Okt. 2022 · Execution of the Emperor Maximilian -- Exhibitions, Manet, Edouard, 1832-1883 -- Criticism and interpretation, History in art -- Exhibitions Publisher München : Prestel

  5. Édouard Manetthe eldest son of an official in the French Ministry of Justice—had early hopes of becoming a naval officer. After twice failing the training school’s entrance exam, the teenager instead went to Paris to pursue a career in the arts. There he studied with Thomas Couture and diligently copied works at the Musée du Louvre.

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  6. 27. Juli 2022 · Edouard Manet: graphic works; a definitive catalogue raisonné. by. Harris, Jean C., 1927-1988. Publication date. 1970. Topics. Manet, Édouard, 1832-1883. Publisher. New York, Collectors Editions.

  7. Édouard Manet was the most important and influential artist to have heeded poet Charles Baudelaire's call to artists to become painters of modern life. Manet had an upper-class upbringing, but also led a bohemian life, and was driven to scandalize the French Salon public with his disregard for academic conventions and his strikingly modern ...