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Schloß des Schreckens ist ein in Schwarzweiß gedrehter britischer Horrorfilm von Jack Clayton aus dem Jahr 1961. Das Drehbuch schrieben William Archibald, Truman Capote und John Mortimer nach der Erzählung The Turn of the Screw von Henry James und der Theateradaption The Innocents von William Archibald. Der im England des 19 ...
The Innocents is a 1961 gothic psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the 1898 novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's ...
Kinostart: 25.05.1962 | Großbritannien (1961) | Gruselfilm, Mysterythriller | 100 Minuten | Ab 16. NEU: PODCAST: Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber....
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Summaries. A young governess for two children becomes convinced that the house and grounds are haunted. In Victorian England, the uncle (Sir Michael Redgrave) of orphaned niece Flora (Pamela Franklin) and nephew Miles (Martin Stephens) hires Miss Giddens (Deborah Kerr) as governess to raise the children at his estate with total independence and ...
The Innocents, British horror film, released in 1961, that is widely considered one of the best ghost stories ever filmed and the finest screen adaptation of Henry James’s novella The Turn of the Screw (1898). Deborah Kerr portrayed Miss Giddens, a spinster governess, hired by an affluent bachelor.
1. März 2019 · Wheeler Winston Dixon. March 2019. CTEQ Annotations on Film. The Innocents (Jack Clayton, 1961) is one of the screen’s supreme ghost stories, and also one of the last great films shot in black-and-white CinemaScope by the gifted cinematographer Freddie Francis.
A psychosexually intensified adaptation of Henry James’s classic The Turn of the Screw, cowritten by Truman Capote and directed by Jack Clayton, The Innocents is a triumph of narrative economy and technical expressiveness, from its chilling sound design to the stygian depths of its widescreen cinematography by Freddie Francis.
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