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  1. Nuytten etablierte sich als einer der führenden Kameraleute Frankreichs. 1977 erhielt er für Unser Weg ist der beste und Barocco, sowie 1984 für Am Rande der Nacht jeweils den César für die Beste Kamera. 1988 debütierte er als Regisseur mit der Filmbiographie Camille Claudel, zu der er auch das Drehbuch verfasste.

  2. Bruno Nuytten, né le 28 août 1945 à Melun, est un directeur de la photographie et réalisateur français. Récipiendaire de trois Césars (1977, 1984, 1989) et du BAFTA award (1988) il enseigne à l'école nationale de cinéma FEMIS dont il a dirigé le département « Image » jusqu'en 2002 et dont il a présidé le jury d ...

  3. Bruno Nuytten (born 28 August 1945) is a French cinematographer turned director. Camille Claudel which was Nuytten's first directorial and screenwriting effort, won the César Award for Best film in 1989.

  4. www.imdb.com › name › nm0005814Bruno Nuytten - IMDb

    Bruno Nuytten is a renowned French filmmaker who has won two César awards for his cinematography and directed Camille Claudel, a biopic of the sculptor. He is also the ex-partner of Isabelle Adjani and the father of Barnabé Nuytten.

    • January 1, 1
    • Cinematographer, Director, Writer
    • Melun, Seine-et-Marne, France
    • Bruno Nuytten
  5. filmtalk.org › 2023/07/25 › bruno-nuyttenBruno Nuytten:

    25. Juli 2023 · Bruno Nuytten, a two-time César winner and BAFTA recipient, talks about his career, influences, and approach to filmmaking. He shares his views on painters, New Wave, and his collaboration with André Téchiné and Claude Berri.

  6. 21. Dez. 1989 · Bruno Nuytten directs and co-writes this film about the life and work of sculptor Camille Claudel, who was Rodin's assistant and lover. The film stars Isabelle Adjani and Gérard Depardieu, and was nominated for two Oscars.

  7. Bruno Nuytten is one of the most successful French cinematographers notable for his many collaborations with outstanding filmmakers. He was twice awarded the César for Best Cinematography: Barocco (1976) and So Long, Stooge (1983).

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