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  1. Zoë Keating, Pop!Tech 2009. Zoë Keating (* 2. Februar 1972 in Guelph, Kanada) ist eine US-amerikanische Cellistin und Komponistin aus San Francisco . Zoë Keating begann mit acht Jahren Cello zu spielen und besuchte das Sarah Lawrence College in New York. Im Brotberuf arbeitete sie nach dem Abschluss als Informationsarchitektin ...

  2. en.wikipedia.org › wiki › Zoë_KeatingZoë Keating - Wikipedia

    Zoë Clare Keating (born February 2, 1972) is a Canadian-American cellist and composer once based in San Francisco, California, now based in Vermont. [1] Music career. Keating performed from 2002 to 2006 as second chair cellist in the cello rock band Rasputina. She is featured on Amanda Palmer 's debut solo album, Who Killed Amanda Palmer .

  3. Biography. Composer and performer Zoë Keating has spent the last 20 years exploring the landscape of sounds a string instrument can make. She coaxes sounds out of the very edges of her cello, adeptly layering them into “swoon inducing” (San Francisco Weekly) music that is unclassifiable yet “a distinctive mix of old and new” (National ...

  4. www.wikiwand.com › de › Zoë_KeatingZoë Keating - Wikiwand

    ZEIGE ALLE FRAGEN. Zoë Keating (* 2. Februar 1972 in Guelph, Kanada) ist eine US-amerikanische Cellistin und Komponistin aus San Francisco. Zoë Keating, Pop!Tech 2009. Zoë Keating begann mit acht Jahren Cello zu spielen und besuchte das Sarah Lawrence College in New York.

  5. 24. Jan. 2024 · Website of the cellist and composer Zoë Keating. Includes information on different projects, images, show dates, and how to contact her.

  6. Canada. Genre musical. Nouvelle Musique, cello rock. Instruments. Violoncelle. Site officiel. http://www.zoekeating.com. modifier. Zoë Keating (née en 1972) est une violoncelliste d'origine canadienne basée à San Francisco, en Californie.

  7. www.zoekeating.com › epk › zoekeating_bioZoe Keating: biography

    Zoë Keating - biography Composer and performer Zoë Keating has spent the last 20 years exploring the landscape of sounds a string instrument can make. She coaxes sounds out of the very edges of her cello, adeptly layering them into “swoon inducing” (San Francisco Weekly) music that is unclassifiable yet “a distinctive mix of old and new” (National Public Radio).