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Leisen died of heart disease in 1972, aged 74. His grave is located in Chapel of the Pines Crematory. [5] Awards. He garnered his sole Academy Award nomination in 1930 for Art Direction for Cecil B. DeMille 's Dynamite. [6] . He directed Hold Back the Dawn (1941), which was nominated for the Academy Award for Best Picture .
James Mitchell Leisen (* 6. Oktober 1898 in Menominee, Michigan; † 28. Oktober 1972 in Woodland Hills, Kalifornien) war ein amerikanischer Regisseur und Filmproduzent, der seinen Einstieg ins Filmgeschäft als Szenenbildner und Kostümdesigner hatte.
1. Nov. 1972 · BEVERLY HILLS, Calif. Oct. 31 (UPI)—Mitchell Leisen, the screen director, whose films included “Death Takes a Holiday.” “I Wanted Wings,” “Hold Back the Dawn” and “To Each His Own,” died...
Death Takes a Holiday Produktionsland Vereinigte Staaten: Originalsprache Englisch: Erscheinungsjahr 1934: Länge: 79 Minuten Stab; Regie: Mitchell Leisen: Drehbuch: Maxwell Anderson Gladys Lehman: Produktion: E. Lloyd Sheldon Emanuel Cohen: Musik: Bernhard Kaun John Leipold Milan Roder: Kamera: Charles Lang: Besetzung Fredric March ...
20. Okt. 2005 · When Mitchell Leisen died at the Motion Picture Country Home in 1972, both he and his films were largely forgotten. One of a host of old-style Hollywood directors who had not been rediscovered, re-interpreted or (in some cases) recreated as an auteur by Cahiers du cinéma, Leisen was remembered – grudgingly – as a minor artisan ...
8. Juni 2021 · Leisen died in 1972, at the Motion Picture Country Home, when he was 74. By that time, his films had been mostly forgotten, a Hollywood legacy either lost to time or smeared by those whose hatred for him probably stemmed from more than just artistic differences. What happened to this queer artist is a tragedy that should be rectified. If I can ...
7. Mai 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses.
