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Neben seinen eigenen Arbeiten beteiligte Eaglin sich an Professor Longhairs Mardi Gras in Baton Rouge (1971–72) sowie am Debütalbum der Wild Magnolias (erschienen 1974). Black Top und die späten Jahre
Apart from his own work, Eaglin took part in recording sessions with Professor Longhair in 1971 and 1972 (released on the album Mardi Gras in Baton Rouge). He also played guitar on the first album by the Wild Magnolias , recorded in 1973.
Professor Longhair. CD —. Album, Reissue. View credits, reviews, tracks and shop for the 1991 CD release of "Mardi Gras In Baton Rouge" on Discogs.
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Tee and Turbinton started the New Orleans Project, a set of musicians who became the backing band for the seminal Mardi Gras Indian recordings, The Wild Magnolias and They Call Us Wild. These recordings combined crisp blues-based solos with a raw street funk that made Parliament and James Brown sound slick and uptown.
17. Apr. 2011 · We’re talking honest-to-god Mardi Gras social club Indians, but with a decidedly modern and funky take on that rich tradition. Basically, their first album was just a cheap excuse to put together an all-star band made up of New Orleans’ finest (sensing a theme here?).
Mardi Gras In Baton Rouge ( CD, Album, Reissue, Remastered) Warner Music, Rhino Records (2), Tower Records (4) WQCP-1283. Japan. 2012. View credits, reviews, tracks and shop for the 1991 Cassette release of "Mardi Gras In Baton Rouge" on Discogs.
Mardi Gras in Baton Rouge (1991) House Party New Orleans Style (subtitled The Lost Sessions, 1971–1972 ) is a compilation album by the American musician Professor Longhair , released in 1987.
