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  1. 17. Mai 2024 · Noémie Merlant’s star is rising as an actress.Baby Ruby and Tár won her international recognition across 2022 and 2023, while anticipation is growing around her starring role in Audrey Diwan ...

  2. 19. Mai 2024 · Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has continued to impress, starring in films like Jacques Audiard’s Paris, 13th District before directing her debut feature Mi Iubita Mon Amour. Returning to the Croisette with her sophomore ...

  3. 14. Mai 2024 · Stéphanie Sokolinski 'Soko' & Noémie Merlant - Ein guter Mann (A Good Man, Frankreich/Belgien 2020) Ersteller JackSnow; Erstellt am Vor 3 Minuten; JackSnow V:I:P . Registriert 16 Juni 2022 Themen 2.027 Beiträge 2.083 Reaktionen 77.062. ...

  4. Vor 4 Tagen · Noémie Merlant: I've been living in Marseille for three years now, and I really love the city. I had a crush on it immediately! I felt as if she was a person – or a woman, to be precise. She was alive. It’s in the atmosphere; it’s like the city is screaming and falling apart at the same time. So the film was always going to be set in ...

  5. Vor 5 Tagen · For crisp tension or thematic clarity, nothing in “The Balconettes” quite outdoes the nearly self-contained, minutes-long short that opens actor-director Noémie Merlant’s frenzied, heatstruck genre mashup. On a 115-degree summer afternoon in a wilting, AC-challenged Marseilles apartment block, a put-upon middle-aged wife passes out on her balcony. Roused with a splash of water by her …

  6. 18. Mai 2024 · It’s hard to remember the last time a director prominently displayed their own vagina onscreen. Statistically speaking, most of them wouldn’t be able to do it if they tried.But Noémie Merlant ...

  7. Vor 5 Tagen · Laughing, Denise (Nadège Beausson-Diagne) confides in her neighbour Nicole (Sanda Codreanu) about the “accidental” death of her abusive husband, which we see at the beginning of The Balconettes, Noémie Merlant’s sophomore feature, which has premiered as one of Cannes’ Midnight Screenings.