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  1. 14. Mai 2024 · This year, marking the company’s 50th anniversary, features a strong presence at Cannes Classics: Robert Bresson’s “Four Nights of a Dreamer” (1971), unseen for decades, has been restored ...

  2. 19. Mai 2024 · 1001 Movies You Must See Before You Die. 1001 Movies You Must See Before You Die (deutsch 1001 Filme, die du gesehen haben musst, bevor du stirbst) ist ein jährlich neu erscheinendes Buch von Steven Jay Schneider, in dem Filme von einem der 70 beteiligten Kritiker kommentiert werden. Das erste Buch dieser Reihe wurde 2003 in Australien ...

  3. 15. Mai 2024 · ROBERT BRESSON (REVISED), REVISED AND EXPANDED EDITION (CINEMATHEQUE ONTARIO MONOGRAPHS) By James Quandt *Excellent Condition*. ROBERT BRESSON (REVISED), REVISED AND EXPANDED EDITION By James Quandt EXCELLENT 9780968296950 | eBay

  4. 23. Mai 2024 · He came before Robert Frank! My take and yours may differ is Robert Frank is 60% documentary and 40% art whereas Henri Cartier Bresson is 60% art and 40% documentary.BUT they do cross over at times. Robert Frank is more on a macro level, more down to earth and earthy, more controversial, gritty, he is an observer at street level and he likes to ...

  5. 24. Mai 2024 · The new Senses of Cinema features Becoming Nonhuman, a dossier including essays on Robert Bresson’s Au hasard Balthazar (1966) and Jerzy Skolimowski’s EO (2022), Michelangelo Antonioni’s Blow-Up (1966) and Hlynur Pálmason’s Godland (2022), and the work of Lucien Castaing-Taylor and Véréna Paravel.

  6. 24. Mai 2024 · Gennem Chim mødte Cartier-Bresson en ungarsk fotograf ved navn Endré Friedmann, som senere skiftede navn til Robert Capa. Cartier-Bresson rejste til USA i 1935 med en invitation til at udstille sit arbejde på Julien Levy Gallery i New York.

  7. 21. Mai 2024 · Cartier-Bresson was drafted into the French army in 1940. He was taken prisoner by the Germans but escaped on his third attempt and joined the French Resistance. In 1946, he assisted in preparing a “posthumous” show of his work organized by the Museum of Modern Art in New York in the mistaken belief that he had been killed in the war.