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  1. War 1946 126 mins. Director: Roberto Rossellini. Subscribe to watch. Overview Overview. Roberto Rossellini’s ambitious and enormously moving follow-up to Rome, Open City. Made in the aftermath of the Second World War, Paisà is constructed as a series of six encounters which take place during the liberation of Italy as Allied troops advance ...

  2. Other articles where Paisà is discussed: Federico Fellini: Early life and influences: …addition, Fellini contributed to Rossellini’s Paisà (1946; Paisan) and Il miracolo (1948; “The Miracle”, an episode of the film L’amore), in which he also acted, playing a tramp who impregnates a simple-minded peasant when she takes him for the reincarnation of St. Joseph.

  3. Paisà: Roberto Rossellinis Dokudrama zeigt die Schrecken der letzten Kriegsjahre.

  4. Logistics of war and the human costs surrounding them. Firstly, in revisiting this film after a few years I hoped I would have more concrete, articulate thoughts about it - as that old cliche goes, one is supposedly more impulsive and emotional when they are younger. Yet, my response seeing this as a 26 year old in 2017 was almost identical as it was to seeing it as a 20 year old in 2011 ...

  5. Sechs Episoden aus der Schlussphase des 2. Weltkriegs: Eine Italienerin führt amerikanische Soldaten zum Versteck einer deutschen Truppe. Durch einen Buben erlebt ein GI das Elend im zerstörten Neapel. Die Romanze zwischen einem US-Soldaten und ein...

  6. de.wikipedia.org › wiki › PaisaPaisa – Wikipedia

    Paisa (Mehrzahl: Paise ( Hindi, Urdu) oder Paisa ( Nepali ); Abkürzung: P. bzw. Ps) ist die Untereinheit verschiedener asiatischer Währungen: in Indien: 1 Indische Rupie = 100 Paise. in Pakistan: 1 Pakistanische Rupie = 100 Paise. in Nepal: 1 Nepalesische Rupie = 100 Paisa. Andere Schreibweisen:

  7. Paisà je italijanski crno-bijeli film snimljen 1946. godine u režiji Roberta Rossellinija. Po strukturi je omnibus, odnosno sastoji se od šest različitih priča radnjom smještenih u Italiju za vrijeme savezničke kampanje u Drugom svjetskom ratu. Priče kao zajednički motiv imaju jezične, kulturne i druge barijere između savezničkih vojnika i italijanskog stanovništva, odnosno ...