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15. Feb. 2001 · On 15 February 2001, in his final recorded interview before his death in November of that same year, George Harrison was interviewed by Chris Carter on the occasion of the thirtieth anniversary of ...
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6. Aug. 2021 · How George Harrison made his masterpiece, All Things Must Pass. One weekday morning in early December 1969, George Harrison found himself in a motorway service station near Sheffield, sitting opposite Eric Clapton. At that point, The Beatles were still officially a going concern.
16. Okt. 2015 · Jeff Slate remembers George with Ringo Starr, Jeff Lynne, Mike Campbell, Paul Weller and Eric Idle. “George was the funniest Beatle,” former Monty Python Eric Idle recalled last spring during his visit with the other Pythons for the Tribeca Film Festival. “Well, all the Beatles were funny, that’s why they were successful in America ...
16. März 2008 · The basic track of ‘We Can Work It Out’ was laid down on 20 October 1965, while The Beatles were recording Rubber Soul. When we took it to the studio, George Harrison suggested we try the waltz pattern, with suspended triplets, that ended up giving the song a profound sense of friction and fracture.
George Harrison discography. The discography of English singer-songwriter and former Beatle George Harrison consists of 12 studio albums, two live albums, four compilation albums, 35 singles, two video albums and four box sets (one of which is with Indian classical musician Ravi Shankar ). Harrison's first solo releases – the Wonderwall Music ...
26. Aug. 2021 · Fortunately, word got out about “the George project,” and that original slew grew and grew, even including musicians with very real connections to Harrison, including Robben Ford (who was in Harrison’s 1974 touring band), Steve Lukather, Bernie Marsden, Mike Campbell and Nita Strauss’s father – James Strauss, who with his band, Jiva, was signed to Harrison’s Dark Horse Records in ...
2. Juni 2022 · George can be heard throughout the sessions working out the arrangements and tempos with the band in the studio while Spector, in the control room, ponders the layers of instruments that he wants to hear on each song to achieve the combined sound that comes from the orchestra of instruments.
