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  1. Explore Jimmie Noone's discography including top tracks, albums, and reviews. Learn all about Jimmie Noone on AllMusic.

  2. Sites:: Wikipedia, britannica.com, radioswissjazz.ch, All Music, adp.library.ucsb.edu: In Groups:: Cook's Dreamland Orchestra, Cookie's Gingersnaps, Doc Cook And His 14 Doctors Of Syncopation, Jimmie Noone And His Club Ambassadors, Jimmie Noone And His New Orleans Band, Jimmie Noone And His Orchestra, Jimmie Noone Trio, Jimmie Noone's Apex Club Orchestra, Jimmie Nooone & His Loones!, King ...

  3. Jimmie Noone (April 23, 1895 – April 19, 1944) is considered one of the best clarinetists of the Twenties. His style differs from the other two great New Orleans clarinet players, Johnny Dodds and Sidney Bechet because of his smoother, more romantic tone. Noone’s style was a major influence on the Swing music of the Thirties and Forties.

  4. found: African American National Biography, accessed March 22, 2015, via Oxford African American Studies Center database: (Noone, Jimmie; jazz musician, clarinetist, bandleader; born 23 April 1895 in Cut-Off, Louisiana, United States; professional career with Freddie Keppard's band (1913); formed Young Olympia Band; Original Creole Band, Chicago (1917); Creole Jazz Band (1919); Dreamland ...

  5. 29. Mai 2019 · Jimmie Noone Apex Blues. Jimmie Noone (1895-1944) was one of the great clarinetists to emerge from New Orleans. Compared to Sidney Bechet and Johnny Dodds, Noone had a softer tone and a comparatively relaxed style, becoming an influence on Benny Goodman and many of the clarinetists of the 1930s. After spending a long period (1920-26) working ...

  6. Jimmie Noone, Jr. (1938–1991), the oldest of Noone's three children, was a jazz clarinetist who made his professional debut in 1964. He made an album with John R. T. Davies in 1985 and began working with Jeannie and Jimmy Cheatham's Sweet Baby Blues Band in 1984. Noone made five albums with The Cheathams and taught jazz in the San Diego public school system from 1967 to 1984. He died of a ...

  7. Jimmie Noone was an integral part of the city's black musical estab-lishment, clearly content to play so-called legitimate music.8 Another insight into Jimmie Noone is found in his choice of repertoire for recording, which leans heavily toward the popular songs of his day. When leading his own groups in the recording studios, Noone