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Composed By – Händel* Conductor, Liner Notes – Sir Malcolm Sargent; Contralto Vocals – Marjorie Thomas; Liner Notes – V. Stanbridge Homewood* Orchestra – The Royal Liverpool Philharmonic Orchestra* Organ – Eric Chadwick; Soprano Vocals – Elsie Morison; Tenor Vocals – Richard Lewis (3)
23. Juli 2015 · The performance is very Malcolm Sargent and is markedly different from more modern recordings which tend to use "period instruments" and smaller forces, however, I think Handel would have opted for the more powerful modern instruments and larger forces if they had been available to him at the time. As it was he was criticized for too large a choir and orchestra at the time.
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Handel: Messiah (CD Review - Music Web International, 2009) THUMBS UP. Choosing a version of Messiah used to be comparatively easy. If you wanted a big-scale performance in the Victorian tradition, you went for one of Sir Malcolm Sargent’s recordings with the Huddersfield Choral Society or even for Sir Thomas Beecham’s with everything on ...
11. Feb. 2007 · She was also a great fan of Sir Malcolm Sargent from her Proms days. The work also has another family connection in that my grandmother was often asked by local choirs to sing the soprano solos, especially "I know that my Redeemer Liveth" which she was especially fond of. Handel's Messiah of course has been a part of British life for many years ...
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Handel: Messiah by Malcolm Sargent released in 1996. Find album reviews, track lists, credits, awards and more at AllMusic.
She was also a great fan of Sir Malcolm Sargent from her Proms days. The work also has another family connection in that my grandmother was often asked by local choirs to sing the soprano solos, especially "I know that my Redeemer Liveth" which she was especially fond of. Handel's Messiah of course has been a part of British life for many years ...
The Handel Messiah dates from 1946, and was the first of several recordings the conductor made of this choral monolith. Although it gets off to a slow, tedious start, the tempi are perfectly acceptable as the work progresses. The four soloists are fine, yet the dated mono sound can be hard-edged and unforgiving. For those who like the ‘full-forces’ approach, this version will be acceptable ...
