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  1. Directed by. Asghar Farhadi. Iran, France, 2016. Drama, Thriller. 123. Synopsis. Amateur actors Emad and Rana prepare for opening night on their production of Arthur Miller’s Death of a Salesman. However, when the couple is forced to move apartments quickly when their building almost crumbles, a case of mistaken identity sees a shocking ...

  2. Amateur actors Emad and Rana prepare for opening night on their production of Arthur Miller’s Death of a Salesman. However, when the couple is forced to move apartments quickly when their building almost crumbles, a case of mistaken identity sees a shocking incident throw their lives into turmoil.

  3. 27. Jan. 2017 · Like all but the first two of his features, “The Salesman” tackles what has become his signature subject: middle-class marriage. The film opens showing us a marriage bed—a startling image in an Iranian film. But the lighting soon signals that this bed is on a theater stage; it will be the bed of Willy and Linda Loman.

  4. Emad calls the old man's family to the apartment, and locks him in a small room to wait, intending to reveal his true character to them all. When he opens the room the old man appears to be having heart trouble and Emad calls Rana in a panic. When Rana learns what Emad intends, she says it will be over between them if he pursues his revenge.

  5. 2. Feb. 2017 · The Salesman (Forushande) Da ihr altes Mietshaus einsturzgefährdet ist, sind Emad und Rana, ein junges Paar in Teheran, gezwungen in eine neue Wohnung zu ziehen. Was sie nicht wissen ist, dass die vorherige Mieterin ein nicht ganz einwandfreies Leben geführt hat. Bewertung. Stars.

  6. The Salesman. After their old flat becomes damaged, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), a young couple living in Tehran, are forced to move into a new apartment. Eventually, an incident linked to the previous tenant of their new home dramatically changes the couple’s life.

  7. 17. März 2017 · Farhadi is a gimlet-eyed anatomist of the middle-class hypocrisy in Iranian life, and like Jafar Panahi’s 2000 film The Circle, The Salesman is candid about the reality of prostitution in Iran ...