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  1. In the Lydian Chromatic Concept of Tonal Organization (1953) George Russell makes the Lydian scale the centre of the tonal system, instead of the traditional major scale. His system was a great inspiration to a whole generation of jazz musicians, who used it to try to expand the language of their improvisations. Let’s see how it works.

  2. Nel Lydian Chromatic Concept of Tonal Organization (1953) George Russell mette al centro del sistema tonale la scala lidia, al posto della tradizionale scala maggiore. Il suo sistema è stato di grande stimolo a un’intera generazione di jazzisti, che l’hanno utilizzato per cercare di ampliare il linguaggio delle loro improvvisazioni.

  3. Lydian Chromatic Concept of Tonal Organization from page 14. The Seven Principal Scales--for scales of Lydian derivation and three auxiliary scales--are the Principal Chord-Producing Scales of the LYDIAN CHROMATIC SCALE They exist as the PRIMARY PARENT SCALES for all traditionally definable chords of Western harmony.

  4. 1. Mai 2018 · The order in which they appear is also significant because “their order reflects the sequence of derivation from the fundamental tonal order of the Lydian Chromatic Concept”. Let’s make a start. Recall that we derive the Lydian scale by stacking 6 intervals of a 5th on top of each other. Here’s the example of F Lydian created by ...

  5. Since Miles obviously knew all the changes, Russell surmised that what he meant was he wanted to learn a new way to relate to chords. This began a quest for Russell, and again hospitalized for 16 months, he began to develop his "Lydian Chromatic Concept of Tonal Organization." First published in 1953, the Lydian Concept is credited with opening ...

  6. The Lydian Scale (Andy Wasserman transcription) 9/18/2020. “The Lydian Scale,” composed and performed by Andy Wasserman, transcribed by Chris Bandy. This is the first of a set of songs that explores the Seven Vertical Scales of the Lydian Chromatic Concept of Tonal Organization—a tribute to the Concept’s creator, George Russell.

  7. Lydian scale because of their practice of "ending their pieces on the flatted-fifth tone of the key of the music." In his Introduction, he states the purpose of his book: The Lydian Chromatic Concept is an organization of tonal re-sources from which the jazz musician may draw to create his improvised lines. It is like an artist's palette: the ...