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  1. 8. Apr. 2003 · by Thom Jurek. This 12-cut compilation captures Mark Murphy's performances for Savoy between 1973 and 1991. While it may not be the elusive Bop for Kerouac, what is here is every bit as good. Murphy remains a singular talent in jazz. The bop and post- bop scenes have been his inspirations all along and he sings with the authority of a saxophonist.

  2. Mark Murphy (Musiker) Mark Howe Murphy (* 14. März 1932 in Syracuse, New York; † 22. Oktober 2015 in Englewood, New Jersey) war ein US-amerikanischer Jazzsänger. Nach Reclams Jazzlexikon war er einer der beliebtesten Jazzsänger überhaupt. Er galt als der „ Woody Herman der Vokalisten“, zu fasziniert von interessanten Strömungen, um ...

  3. Get all the lyrics to songs by Mark Murphy and join the Genius community of music scholars to learn the meaning behind the lyrics. {{:: 'cloudflare_always_on_message' | i18n }} GENIUS

  4. Decca, Capitol, Riverside, Fontana, Muse, HighNote, Verve. Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations.

  5. Satisfaction Guaranteed is the 17th album by American jazz vocalist Mark Murphy. It was recorded when Murphy was 47 years old and released by the Muse Records label in the United States in 1980. The release is a collection of contemporary tunes and standards dedicated to Eddie Jefferson. Saxophonist Richie Cole makes his second appearance on an ...

  6. Love Is What Stays. (2007) Never Let Me Go. (2010) Love Is What Stays is a 2007 studio album by Mark Murphy, arranged by Nan Schwartz and Till Brönner . [1] For Murphy's second Verve album, he is accompanied by figures including Lee Konitz, Don Grusin, the Deutsches Symphonie-Orchester Berlin, Chuck Loeb and Sebastian Merk. [1]

  7. Stolen Moments" is a jazz standard composed by Oliver Nelson. It is a 16-bar piece though the solos are on a conventional minor blues structure. [1] The recording of the song on Nelson's 1961 album, The Blues and the Abstract Truth , led to it being more generally covered.