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5. Aug. 2014 · Da Vinci’s Demons: The Enemies of Man. June 12, 2014. In the epic penultimate episode of Da Vinci’s Demons Season 2, “The Enemies of Man,” our heroes return to a Florence overrun by the mercenaries of Duke Federico, and struggle valiantly to take back the city. The demands on the score this week were tremendous, because there was so ...
30. März 2014 · As she speaks to him, a choir quotes a gentle version of the Lucrezia Theme. As soon as she makes her case, and Da Vinci replies, the score modulates and quotes the Da Vinci Theme. They hear a sound, and turn to see mysterious figures walk in to the chamber. These figures reveal themselves to be Lorenzo, Vanessa, Nico, Zo and Riario.
6. Mai 2014 · Sparks & Shadows bringen den Score von McCreary für die zweite Staffel von "Da Vinci's Demons" raus To celebrate the show's third season pickup, we are thrilled to announce we will be bringing you Bear McCreary's score for "Da Vinci's Demons" Season Two.
3. Nov. 2015 · View credits, reviews, tracks and shop for the 2015 CD release of "Da Vinci's Demons - Season Two Collector's Edition (Original Television Soundtrack)" on Discogs.
Für das deutsche Free-TV hat sich Super RTL die Ausstrahlungsrechte gesichert. Die Ausstrahlung von Staffel 1 und 2 erfolgte vom 1. April bis zum 20. Mai 2015. International. Da Vinci’s Demons wird bereits in über 120 verschiedenen Ländern in Nord-und Südamerika, Europa, Ost-und Südostasien sowie im Nahen Osten und in Ozeanien verbreitet.
28. Sept. 2015 · Bear McCreary has always been one of the most unique voices in television scoring. His work is always identifiable by his signature style, and his ability to craft sonic worlds to bring the story to life has always been a draw. I found his work on Da Vinci’s Demons Season 1 to be some of his most refined and mature work as a composer. It never went too far overboard with the stylistic ...
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So, I doubled the melody two octaves higher with a Japanese flute called a bansuri. The bansuri offers a breathy contrast to the reedy strings and, when tucked back in the mix, is almost indistinguishable as a second instrument. The subtle presence of an ethnic instrument hints that The Prisoner is a person of mysterious origin.
