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Alison Balsom. Wie Fotos doch täuschen können: Kein verführerisch lächelnder, blond gelockter Trompetenengel mit bloßen Schultern sitzt mir da gegenüber, sondern schlicht eine junge Frau in Jeans und Pullover, das Haar in aller Eile hochgesteckt. Obendrein verschnupft und ein wenig angespannt, gilt es doch noch eine Geburtstagsparty für ...
Alison Balsom supports a number of charities and is a patron or ongoing supporter for Brass for Africa, OHMI, Cherubim Music Trust, YCAT, Warchild, The Lord Mayor's Fund for Young Musicians, Nordoff Robbins, Hope and Homes for Children, and the BBC's Ten Pieces projects. Alison Balsom is a passionate advocate of the importance of music education. She studied trumpet at the Paris Conservatoire ...
Alison Balsom is the world’s preeminent female classical trumpeter. She is an unique and independent artist who have broken through to the mainstream whilst retaining her integrity and core musical values. Exceptional talent, a glamorous stage presence and a witty and engaging personality make Alison one of the most exciting and bankable artists in the core classical world today.
Légende. Star trumpeter Alison Balsom adds her first recital with piano to her rich Warner Classics catalogue. Recorded live at St George’s, Bristol, she and Tom Poster, her long-standing recital partner, explore fascinating works from the 20th century, by composers such as Enescu, Hindemith, Martinů, Françaix, Bernstein and Peter Maxwell ...
18. Nov. 2011 · James MacMillan (né en 1959) : Seraph, pour trompette et orchestre, dédié à Alison Balsom. Pas révolutionnaire, mais agréable à écouter : premier mouvement au style post-Chostakovitch, post-Hindemith, très joli duo entre le violon et la trompette dans le second mouvement. Takemitsu (1930-1996) : Paths, pour trompette solo. Etonnant ...
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21. Jan. 2012 · Alison Balsom: Seraph on whatsapp (opens in a new window) Save. By Andrew Clark. Jump to comments section Print this page. Stay informed with free updates. Simply sign up to the Life & Arts myFT ...
Alison Balsom–Seraph. The trumpet is not a particularly ingratiating solo instrument in classical repertoire. For extended works, such as concertos, its sound can be fatiguing, owing to its innate acoustical properties, which derive from its small-bore, all-metal tubing, and from the inherent tension that defines the way the sound is produced ...
