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Recognized as a pioneer in the advancement of Pictorial photography in America and abroad, Alfred Stieglitz (1864–1946), photographer, publisher, gallerist, and impresario, also made unparalleled contributions to the introduction of modern art in America and gave unequivocal support to young American modernist painters.
Alfred Stieglitz var en af de vigtigste personer der for den amerikanske offentlighed præsenterede den indflydelse som den europæiske avantgarde havde på amerikansk kunst. Dertil benyttede han sin virksomhed som udgiver af tidsskriftet Camera Work, som han brugte til at fremme og legitimere fotografi som kunstform.
Alfred Stieglitz: Georgia O’Keeffe (um 1921) Anfang 1918 hatte O’Keeffe viele frühe amerikanische Modernisten kennengelernt, die zu Stieglitz’ Künstlerkreis gehörten, einschließlich Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand und Edward Steichen. Bald nach 1918 begann O’Keeffe, primär in Öl zu arbeiten ...
Born in Hoboken, New Jersey, in 1864, and schooled as an engineer in Germany, Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture.
Alfred Stieglitz was an American photographer who was instrumental in raising photography into an accepted art form. He was also a champion of modern art, and through his gallery, nicknamed “291,” he introduced many avant-garde artists to the American public. Stieglitz’s collection of paintings, works on paper, sculpture, and photographs became the foundation for the Metropolitan Museum ...
Alfred Stieglitz “291” and After, retrospective exhibition, Philadelphia Museum of Art. 1946, May Stieglitz praised the Museum of Modern Art’s installation of O’Keefe’s art in the institution’s first solo show for a woman artist.
Stieglitz, a pioneer of modern photographic vision, was a spiritual descendant of the German Romantics. He reread Goethe's Faust every summer, and often escaped his Fifth Avenue gallery "291" to attend Wagner matinées at the Metropolitan Opera. With the title of his 1922 series of photographs, Music, Stieglitz cued viewers to understand his photographs as expressive of nature yet free from ...
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