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Marsh studied with the Ashcan School artist John Sloan, who encouraged him to sketch city life in situ. Like others in the Fourteenth Street School, Marsh found inspiration in the people who gathered in the city’s public spaces, such as beaches, subways, amusement parks, streets, and dance halls. Rather than focus on glamorous and wealthy subjects, Marsh concentrated on those in the middle ...
Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work ...
Reginald Marsh, né le 14 mars 1898 et mort le 3 juillet 1954, est un artiste peintre, graveur et illustrateur américain. Biographie [ modifier | modifier le code ] Reginald Marsh est né dans le 14 e arrondissement de Paris , dans un appartement situé au-dessus du Café du Dôme .
Reginald Marsh. American. (Paris, France, 1898 - 1954, Dorset, Vermont) Reginald Marsh was born in Paris on March 14, 1898 to Fred Dana Marsh and Alice Randall Marsh. Both his parents were American citizens and artists; his father was a muralist and his mother painted miniature watercolors. Fred Marsh's family was wealthy and Marsh was raised ...
Museo Nacional Thyssen-Bornemisza. The Battery is one of Marsh's early oils, painted just after his three his three-year stint as a staff illustrator for the New York Daily News where he drew a daily column of theatrical sketches. At the time Marsh was involved in designing theatre curtains for "The Greenwich Village Follies" and he had ...
Reginald Marsh's Smoko, The Human Volcano depicts Coney Island, the popular-priced Brooklyn beach resort and amusement park that attracted New York's large urban populace during the Great Depression of the 1930s. Easily and inexpensively accessible by subway, Coney Island offered a welcome sea breeze to the masses confined in the city on a hot summer day. Marsh first went to the Brooklyn ...
La obra Smoko, el volcán humano de Reginald Marsh representa Coney Island, la popular playa y parque de atracciones de Brooklyn, muy visitada por las grandes multitudes urbanas neoyorquinas durante la gran depresión de la década de 1930. Las muchedumbres confinadas en la ciudad podían acceder, de manera fácil y económica, a Coney Island, que les ofrecía la posibilidad de disfrutar de la ...
