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Miklós Rózsa. Hungarian-born composer best known for his film scores. Born April 18, 1907, Budapest, Austro-Hungarian empire. Died July 27, 1995, Los Angeles, California, USA. Rózsa was a child prodigy and studied the violin from the age of five and went to Leipzig to study music at the Leipzig Conservatory with Hermann Grabner in 1926.
Miklós Rózsa (hongarès: Rózsa Miklós) ( Budapest, 18 d'abril de 1907 - Los Angeles, 27 de juliol de 1995) [1] fou un compositor de música de cinema hongarès-americà, format a Alemanya (1925–1931), però que va viure a França (1931–1935), al Regne Unit (1935–1940) i als Estats Units (1940–1995), amb viatges a Itàlia des de 1953.
27. Juli 1995 · Miklós Rózsa. Hungarian-born composer best known for his Oscar-winning film scores who was also celebrated for his contemporary classical pieces. Read Full Biography. STREAM OR BUY: Active. 1930s - 1980s. Born. April 18, 1907 in Budapest, Hungary. Died.
Miklós Rózsa (often misspelt as Rosza) was born in Budapest on April 18, 1907. His father was a well-to-do land-owning industrialist with a liberal outlook, and the boy grew up in an atmosphere of comfort, culture, and affection. Town life appealed little to young Miklós, especially when set against the manifold attractions of the family's country estate, which lay north of Budapest in a ...
Miklós Rózsa. In fact, Rózsa wrote scores for about 100 films between 1937 and 1982, earning him 17 Oscar nominations. While Rózsa is rightfully famous for his luscious film scores, he simultaneously, and unbeknownst to me, crafted many compositions for the concert hall. He actually called it his “double life,” and it all started in ...
Original Motion Picture Soundtrack (1951). Composed and Conducted by Miklós Rózsa, performed by the Royal Philharmonic Orchestra & Chorus.Please note that th...
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Miklós Rózsa, an intellect and a gentleman of the old school, was an artist with an enormous contribution to the art of film music. His music has been both light in tone and heavily dramatic in feeling, and he was one of very few film composers highly regarded enough to be accepted to the classical stage as well as in the motion picture studio.
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