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William Cameron Menzies. Director. en. El ladrón de Bagdad (1940) Invasores de Marte (1953) La vida futura (1936) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y ...
William Cameron MENZIES est né à New York, le 29 juillet 1896. Il débute comme décorateur dans les années 20 et s'illustre par les extraordinaires décors du Voleur de Bagdad de Raoul Walsh (il signera ceux du remake de Michael Powell). Dès lors, il travaillera avec les plus grands assurant les fonctions de décorateur, directeur ...
William Cameron Menzies (English) 0 references. given name. William. 1 reference. imported from Wikimedia project. Italian Wikipedia. family name. Menzies. 0 references. date of birth . 29 July 1896 Gregorian. 4 references. stated in. Encyclopædia Britan ...
William Cameron Menzies was born in New Haven, Connecticut on 29 July 1896 to Scots immigrant parents. He studied at Yale and the University of Edinburgh, and after serving in the US Army during World War I he attended the New York Art Student League, then joined Famous Players-Lasky (later to evolve into Paramount) working in special effects ...
With his landmark design of Douglas Fairbanks’ The Thief of Bagdad, WILLIAM CAMERON MENZIES (1896-1957) became Hollywood’s most famous art director. A director himself from the early 1930s, Menzies would wield much more influence as a “production designer” (a title producer David O. Selznick created for him), culminating in his monumental design of Gone With the Wind.
Invaders from Mars: Directed by William Cameron Menzies. With Helena Carter, Arthur Franz, Jimmy Hunt, Leif Erickson. A young boy learns that space aliens are taking over the minds of earthlings.
Interviewing colleagues, actors, directors, friends, and family, and with full access to the William Cameron Menzies family collection of original artwork, correspondence, scrapbooks, and unpublished writing, Curtis brilliantly gives us the path-finding work of the movies' most daring and dynamic production designer: his evolution as artist, art director, production designer, and director ...
