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  1. Georges Franju. Director: Eyes Without a Face. Georges Franju is a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinematheque Française in 1937--France's most famous and important film archive.

  2. Entdecke alle Filme von Georges Franju. Von den Anfängen seiner 56 Karriere-Jahre bis zu geplanten Projekten.

  3. 27. März 2022 · Georges Franju. Du 9 au 27 mars 2022 . Georges Franju, l'insurgé. Fondateur avec Henri Langlois de la Cinémathèque française en 1936, George Franju fut le créateur, avec Les Yeux sans visage, d'un des mythes les plus fertiles de l'histoire du cinéma. Au-delà de ce classique, Franju ne cessa de mettre en scène la lutte des puissances ...

  4. Der 1912 in der Bretagne geborene Georges Franju gilt als großer Außenseiter des Kinos. Erst mit 46 drehte er zeitgleich mit den jungen Regisseuren der Nouvelle Vague seinen ersten langen Spielfilm, doch nichts hat er mit dieser Bewegung gemein, knüpft vielmehr an den deutschen Expressionismus der 1920er Jahre an. Das Filmpodium Zürich widmet dem 1987 verstorbenen Regisseur eine Filmreihe ...

  5. Georges Franju was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Before working in French cinema, Franju had several different jobs. Franju was also briefly in the military in Algeria and was discharged in 1932. On his return, Franju studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folles Bergère. In the mid ...

  6. of Georges Franju. by Adam Lowenstein. Georges Franju's contribution to the horror genre-through his films Blood. the Beasts (1949) and Eyes Without a Face (1959)-is "shock horror": the em-. ployment of graphic, visceral shock to access the historical substrate of traumatic experience. Franju does not tremble on the brink.

  7. 15. Nov. 2013 · Informed by the past yet still strikingly modern, the films of Georges Franju seem to exist outside of any era or movement. Yet today, it’s difficult to imagine the name of this undervalued auteur being uttered outside of certain small circles of cinephiles. When Franju is spoken of, it’s typically in connection with the 1960 […]