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Zhang seems to suggest, the price for rebellion and transgression is still death or madness. Full Review | Original Score: 3/4 | May 26, 2022. In Raise the Red Lantern, Zhang Yimou's most widely ...
11. Aug. 2022 · Raise the Red Lantern (大红灯笼高高挂)Director: Zhang Yimou. Written: Tong Su, Zhen Ni. Country: China. Year: 1991 “Raise the Red Lantern” was named in a list of “25 movies you must see before you die,” and is considered a monumental piece of cinematography that brought a different vision of Chinese film to the West.
Raise the Red Lantern. “It is a woman’s fate.”. That was the tragic rationale for 19-year-old Songlian’s (Li Gong) for wanting to be a concubine after having to truncate her education at the university due to her father’s untimely death. The film opens with the Bergmanesque close-up shot of the nearly tearful, but composed, Songlian ...
18. Dez. 1991 · 20 %. Written by Filipe Manuel Neto on March 8, 2023. In 1920s China, a nineteen year old Songlian is forced to marry the much older lord of a powerful family and compete with his three wives for his attention, slowly uncovering the dark truths that lie within their gilded cage.
29. Juni 2019 · Raise the Red Lantern also displays Zhang’s signature style: balanced framing, bold use of colour and the penetrating close-up. Examined here is the presentation of spectacle and the underlying questions raised by Zhang’s methods of ‘looking’, aspects that give the film a richness and complexity to match its content. For as the director ...
Vor 5 Tagen · Elke avond als de schemering valt wachten vier vrouwen voor de ingang van hun kamer in een afgelegen landhuis in het noorden van China. Meester Chen kiest elke nacht een minnares om de nacht mee te spenderen. Hij beveelt zijn bedienden de rode lantaren van de kamer naar zijn keuze aan te steken. Een van deze vrouwen is de 19-jarige student Song ...
27. März 1992 · This film, based on the novel Wives and Concubines by Su Tong, can no doubt be interpreted in a number of ways - as a cry against the subjection of women in China, as an attack on feudal attitudes, as a formal exercise in storytelling - and yet it works because it is so fascinating simply on the level of melodrama.
