Suchergebnisse
Suchergebnisse:
Buy or Rent the Film. Women reporters during WWII were told war reporting was No Job For a Woman. Buy the DVD, available for purchase from Women Make Movies, to find out how these women over came the restrictions and created a new way of telling the story of war. 2011, 61 minutes, Color, DVD, English
25. März 2013 · A public screening of the National Endowment for the Humanities (NEH)-funded film No Job for a Woman: The Women Who Fought to Report World War II, followed by a panel discussion moderated by CNN special correspondent Soledad O’Brien, will be held from 6 to 8 p.m. on Thursday, March 28 at the NYU Washington satellite campus, 1307 L Street N.W. in Washington, D.C.
October 26, 2017 ·. In "No Job For A Woman": The Women Who Fought To Report WWII an, Women's Journalism Historian Maurine Beasley talks about how the Four F's -- Food, Fashion, Furniture, and Family -- were historically the core story themes for reporting about women. I don't think much has changed.
Before World War II, war reporting was considered NO JOB FOR A WOMAN. Fighting and winning access to cover the war wasn't the only battle for the women reporters as they were banned from the front lines, prevented from covering front page stories, and assigned “woman’s angle” stories. Instead, they turned their assignment into a new kind ...
10. Apr. 2024 · No damage to the jewel case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The VHS or DVD box is included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape ...
Buy or Rent the Film. Women reporters during WWII were told war reporting was No Job For a Woman. Buy the DVD, available for purchase from Women Make Movies, to find out how these women over came the restrictions and created a new way of telling the story of war. 2011, 61 minutes, Color, DVD, English
The “woman’s angle” was both the door to women’s entry into war reporting and part of the change in the way war was reported, culminating with the participation of women such as Ruth Cowan, Martha Gellhorn and Dickey Chapelle in reporting World War II. These changes began with the first American woman war reporter, Margaret Fuller, who
