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Simone Martini’s painting of Saint Louis parallels early paintings of Saint Francis, depicting him specifically as a Franciscan saint. Positioned frontally and wearing a Franciscan habit, the Angevin prince’s waist is belted with a simple chord tied in three knots to symbolize his monastic vows of poverty, chastity, and obedience.
1284 - July 1344. Simone Martini was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time.
In 1974, Boskovits made the case for attributing them to Simone Martini, and suggested that they formed an altarpiece commissioned from Simone in 1326 for the Palazzo Pubblico and that was mentioned rather generically by Ghiberti in his Commentaries: "and in the said palace a very good altarpiece." As patron saint of Siena, Ansanus’s presence would be expected on an altarpiece for the ...
Simone Martini ( * um 1285 † 1344 ) Kollektionen. Kunststile. Farbsuche. Kunstwerke finden. Künstler (A-Z) Kunstdrucke und Gemälde von 30.000 berühmten Künstlern . Claude Monet. Leonardo da Vinci. Vincent van Gogh. Gustav Klimt. Wassily Kandinsky. E ...
Wikipedia article References. Simone Martini (c. 1284 – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time.
The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
