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  1. Giovanni Boldini (1842 - 1931) In 1897, Boldini was engaged, through a mutual friend, Madame Veil-Picard, to paint the portrait of Count Robert de Montesquiou. The painter could not fail to be attracted to the personality of this man of letters, the archetypal, contemporary aesthete and new incarnation of the Baudelarian dandy. The work ...

  2. Beiträge in literaturkritik.de 2006 - 2020 - Bernd-Jürgen Fischer: Robert de Montesquiou und Marcel Proust - Walter Müller-Seidel: Literatur und Medizin in Deutschland - Norbert Dietka: Ernst-Jünger-Rezeption von 2010 bis 2023 - Literatur, Kunst und Wissenschaft im Ersten Weltkrieg. Dokumente. Hg. v. Th. Anz u. M. Stark

  3. Robert de Montesquiou de Montesquiou a fost urmașul familiei franceze Montesquiou-Fézensac. Bunicul său patern a fost contele Anatole de Montesquiou-Fezensac (1788-1878), aide-de-camp a lui Napoleon și mare ofițer al Légion d'honneur ; tatăl său era al treilea fiu al lui Anatole, Thierry, care s-a căsătorit în 1841 cu Pauline Duroux, o orfană dintr-o familie burgheză opulentă.

  4. Male. Full name. Robert•de Montesquiou-Fézensac. Used name. Robert, Comte•de Montesquiou-Fézensac. Born. 9 March 1855 in Paris, Paris (FRA) Died. 11 December 1921 in Menton, Alpes-Maritimes (FRA)

  5. Robert de Montesquiou. Marie Joseph Robert Anatole, Comte de Montesquiou-Fézensac (7 Maret 1855 – 11 Desember 1921) adalah seorang penyair aesthete, kolektor seni, dan pesolek asal Prancis. Dia dianggap telah menjadi inspirasi baik untuk Jean des Esseintes di Joris-Karl Huysmans ' À rebours (1884) dan yang paling terkenal untuk Baron de ...

  6. Vor 5 Tagen · Marie Joseph Anatole Robert de Montesquiou-Fezensac (French) 1 reference. stated in. Archives de Paris. given name. Robert. 1 reference. stated in. International Standard Name Identifier . ISNI. 0000000109227867. retrieved. 15 October 201 ...

  7. Montesquiou's aestheticism finds in this painting one of its most vigorous and bursting expressive peaks. Mindful of the great portraiture of the masters of the 16th and 17th centuries, Boldini depicts an icon of the elegance of his time, and immortalizes Montesquiou while he is seated and stares at the blue handle of his walking stick. He is very elegantly dressed, wearing refined white ...