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Score è un film pornografico del 1974 diretto da Radley Metzger. [1] [2] È uno dei primi film a esplorare la tematica della bisessualità, [3] [4] ed è considerato uno dei classici della cosiddetta "Golden Age of Porn" dei primi anni settanta che generò pellicole quali Dietro la porta verde, Miss Jones e La vera gola profonda.
Professional ratings. The Lost World: Jurassic Park (Original Motion Picture Score) is the film score to the 1997 film of the same name composed and conducted by John Williams, and orchestrated by Conrad Pope and John Neufeld. Unlike most sequel scores written by Williams, the composer did not reprise much musical material from the original ...
Score (1974 film) Score. (1974 film) Score is a 1974 erotic romance film directed by Radley Metzger. [1] [2] One of the first films to explore bisexual relationships, [3] [4] it was part of the brief porn chic fad of the Golden Age of Porn in the early 1970s that also included Behind the Green Door, The Devil in Miss Jones and Deep Throat.
Alice in Wonderland (An Original Walt Disney Records Soundtrack) is the score album to the 2010 film Alice in Wonderland directed by Tim Burton and produced by Walt Disney Pictures, which is a live-action adaptation of Disney's 1951 film and re-imagining of Lewis Carroll 's works. The film's original score is composed by Danny Elfman, a regular ...
Composition. Williams began writing the Jurassic Park score at the end of February 1993, and it was conducted a month later; because Williams sustained a back injury during the scoring sessions, several cues were conducted by Artie Kane (Kane is uncredited in the film, but receives special thanks in the 1993 soundtrack album's credits and is listed as a conductor in the La-La Land Records set).
Film score composer is a general term referring to an individual who writes music for film . Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large. It should directly contain very few, if any, pages and should mainly contain subcategories.
Jon Burlingame of Variety referred to the score as "the symphonic equivalent of Reeves’ film, suggesting the haunted figure behind the mask amid the grim maelstrom of Gotham crime." [4] Marcy Donelson of AllMusic gave the soundtrack a 4/5, calling it "dark, lurking, and often eerily sparse" as a result of its rock and orchestral instrumentation. [13]
